Reviews / Critiques / Interviews, etc.

 

 

Metal Maidens Review of Consequences of Dreams

ARAPACIS-Consequences Of Dreams (Femme Metal Records) 
ARAPACIS is the Canadian rock/metal outfit, that already surprised us with their album “So Many Leapers”. This new album contains ten songs and is worthy of almost forty-five minutes of progressive/gothic metal. After hearing title track “Consequences Of Dreams”, I can draw the conclusion, that the band has gained a lot more power and they’ve definitely created a very strong opener here. You’ll hear many influences of the metal scene of today, besides the more traditional ones. Same applies to “Solitary Abode”, which contains the loud screaming of vocalist Elizabeth ‘Lizzie’ Fyre and the very cool riffs of guitarist Jerry Fielden. However, “The Green Fairy” starts off with a steady pace and shows the progressive side of the band. “Haunted Forests” is on next, which opens with the stunning bass sound of Dmitri Mak-Mak. You’ll hear the haunted voices and some deep dark grunts in this song. This is again the progressive side of ARAPACIS, only this time in its entirety. The guitars cry halfway the song, lifting it up to become the very first highlight on this album for me. “Death of Loneliness” is a point of rest; the obligatory ballad, so to speak. The harmony vocals are really worth mentioning here, but they are not very metal in my book. “Hesitate” however, sounds groovy and dark. It also shows, that Lizzie has an absolute killer voice. “Theocracy” opens moody, but develops into a raw rocker with more brutal grunts. The guitar solo sounds amazing again, making it one of the more brutal works on “Consequences Of Dreams”. “Roadways” is the absolute highlight for me. It sounds like FRANK MARINO with a female vocalist. Hard to imagine perhaps, but just listen to the magical bluesy guitar sound and the great vocals of Lizzie. While “From The Dark” gives me the serious urge to bang my head like old times! A great power explosion is happening and once again I’m positively surprised, especially when the band cranks it out loud. Now, the last song must be something really special. At least I hope so, because it plays for almost nine minutes. The song develops itself into a huge jam, including - oh, my god - a drum solo by Pedro Osorio. I bet, that ninety-nine percent of our listeners will not be pleased with a long drum solo on a studio album. However, I think it’s an amazing idea and it shows up very well in this song. The somewhat progressive instrumental part after the drum solo could also have been from the hand of FRANK MARINO. Although I may have had my doubts about the rating of this CD in the beginning, you will see that I’m giving it a very high score, mainly because of the very strong CD closer. It takes a lot of courage to play a drum solo on a studio album. Nowadays, it could be labeled as extremely dangerous, but I’d like to call it progressive. The band on the other hand doesn’t seem to care a bit, they’re ready to take the risk, which could be called controversial for that. Fact is, they don’t want to ride the paved path, although it almost looked like that in these first few songs. In the chemical industry it is a hype to think ‘out of the box’ nowadays. You are praised, when you come up with solutions that go way beyond ‘normal thinking’. Well, I come from the world of the chemical industry and I would like to translate this way of thinking to reviewing this album. It’s controversial and way ‘out of the box’ and ARAPACIS will be highly praised for their braveness doing this! Website: http://www.arapacis.com/ [9 points] (Toine van Poorten)

http://www.metalmaidens.com/Cdreviews1c.htm

 

Lady Rock Forum Review by Holymagica:

Posted: Sun Sep 19, 2010 1:06 pm    Post subject: Arapacis ‘Consequences Of Dreams ’ **** ''Guitar Magic 

AraPacis was formed in 2003, they are blend of everything I love of the 70s when it comes to hard rock and progressive music,the mix of modern gothic metal and classic metal makes them a very interesting band.Very original and different from what is out there.
This is my first introduction to the music of Arapacis, I will admit to being a obsessive observer from the conception of ‘Consequences Of Dreams ’I have followed its progress online thanx to Jerry Fielden, the Lead Guitarist. He is a virtuoso on this cd with his playing, lots of variation and styles throughout, he gives us Guitar Magic at times, I really like the way its been recorded and its production is free and high-quality music.
Female Fronted Metal always seems to get a label tagged to it, but I just can’t give this cd a label.
The music is a compositional rollercoaster ride but with a blend of the modern and old Metal sound, it’s absolutely crammed filled with ideas and technique.
The band play really well together, really dig the bass guitar playing in a lot of the tracks and the drums should not be over looked either. This music is thoughtful and emotive, it’s also different to a lot that is out there, this archievement the band should be proud of, my favourite tracks at first listen on ‘Consequences Of Dreams is the title track, love the riff!’’ Death of Loneliness’’ is a beauty, love quirkiness of Lizzie’s vocals in this song, I mean this is in a good way becoz I am not familary with her accent,the track '' From The Dark'' gets most repeats on my Mp3 player, I could have blagged a free copy of this cd from the band, but I decided to buy it from Amazon,overall this cd is a worthwhile listen ,it grows on you the more you hear it, some of the songs must be great live and Arapacis playing live is in their DNA.

I give it 4 stars of 5 its ''Guitar Magic''

Lady Rock thinks this cd is smoking!

http://ladyrock.informe.com/viewtopic.php?t=3006


 

Customer reviews on amazon.com: http://www.amazon.com/Consequences-Dreams-AraPacis/product-reviews/B002O02Q74


 

De : Les autres mondes - chronique de So Many Leapers

http://www.lesautresmondes.info/index2.php?page=viewchronique&num=305 

De : Les autres mondes - chronique de Consequences of Dreams

http://www.lesautresmondes.info/index2.php?page=viewchronique&num=306

 

From Metallian Metal Zine:

http://www.metallian.com/arapacis.php

ARAPACIS – CONSEQUENCES OF DREAMS – FEMME METAL   
This is not the Arapacis I expected. The band, and female singer Lizzie Fyre, were ostensibly working on something far more gothic than the actual output, but thanks to the powers of wisdom and intelligence the quartet has gone the other way and put together a bona fide hard rock record.
First, however, here comes the negative. The production is weak and at times comes across as being struck with the ‘microphone-behind-a-wall-and-not-in-the-same-room-as-the-band’ syndrome. The band must have had a tight budget. The back cover of the disc claims affiliation with a Femme Metal Records, but a very educated guess would suggest the band on its own budget recorded this. It is too bad.
Musically, the disc has turned out to be a full-length, which means the good and the bad. The disc begins with a big surprise. A few seconds of pure Rainbow change over to a far more brutal style fast complete with barbarism and growling. From there, the band goes through rock, hard rock and metal with the personal favourite being the Hendrix-meets-Black Sabbath of Roadways. The song is complete with its dismal lyrics. The vocals are probably better performed on this song than any other. The disc closes with a track called Thunder Lizard, which would have been the most deserving of lyrics courtesy of its oddball name; alas, it is a jammy instrumental. One would have been curious to find out what the band could have mustered by way of explanation for it.
Arapacis has issued a surprise disc here with much in the way of actual music – will never be heard on the radio therefore – but needs to get its sound value up without going digitally overboard. The band is at www.arapacis.com on the Internet (or “Internets” if you are a retarded right-wing politician excuse the redundancy). – Ali “The Metallian”


 

From Terrorizer True Cult Heavy Metal Zine

http://truecultheavymetal.com/blog6.php/2010/04/30/arapacis-consequences-of-dreams

Arapacis – Consequences Of Dreams

This Quebecker quartet unleash their second wave of progressive of darkness, coming from the French speaking region of Quebec, these feisty Canadians have another gun to blast our ears with, the bullets come with ‘Consequences of Dreams’. Female vocals are undoubtedly the best for gothic metal bands, and Arapacis is no exception. Combining melodic vocals with straight edge musical compositions, these eccentric musicians add twists and turns to every second of their music, making it a rollercoaster ride. Melodic vocals are the key element but are backed by Teutonic beats from the pounding of the drums and electric voltage and amplification of the guitar and bass. Bring on the darkness of Canada’s French province; bring forth the nightmares that are kept within the shadows. The album is an essential for any gothic metal fan and is recommended for anyone for a taste of progressive metal. Watch this space; Arapacis will take the underground by storm.

Written by Rhys Stevenson

9/10

From Roger Fisher, original Heart guitarist, Feb. 22, 2010, on Consequences of Dreams:

 

"Jerry,

 

Man, your record sounds great! Cool guitar sounds, amazing singer, really original composing.

 

Keep up the great work!

 

Rog"

 

ARAPACIS..'CONSEQUENCES OF DREAMS'

(Femme Metal Records) Reviewed 29th November 2009

http://www.ravenheartmusic.com/products-group-55.html

A rather interesting album from Canadian band Arapacis, and to be frank, I am not quite sure what to make of it. Let's just say that this will not hit you right away and is going to take a few spins to get used too. 'Consequences of Dreams' also seems to fly off in various directions, and at times it all seems a little chaotic. Also, I am not one for criticising production, as only a handful of bands have a Bon Jovi style production budget, but I do find the production a little muddy at times on this release. Anyway, we have an album that is heavy, melodic and I do like the vocals and screams of leading lady Lizzie Fyre. Best track to my ears is the ballad 'Death of Loneliness'. What I would say about this is to approach with a little caution, but having said that, I would be keen to hear anything else this band pushes out. Not too keen on the drum solo on the last track though, just drags on a bit. 6.5/10 (Reviewed by Dave)

 

ARAPACIS - Consequences of dreams

 Style : gothic metal prog

http://desfillesetdesriffs.fr/arapacis___consequences_of_dreams_3849.htm

 

Arapacis est un groupe canadien, et Consequences of dreams est leur deuxième album, sorti en octobre 2009. Leur musique est un mélange de musique progressive influencée par les années 70/80, de blues et de musiques plus modernes comme le gothic, le doom mais aussi le metalcore. Leur son est donc assez riche et foisonnant, et les compositions sont recherchées et parfois assez complexes avec des changements de rythmiques ou de style musical, le groupe aimant allier les contraires comme modernité/old-school ou douceur/brutalité. Le tout pourrait sembler un peu brouillon à la première écoute, mais est en fait très cohérent.

Au niveau du chant, nous retrouvons Lizzie qui a une très belle voix, notamment sur les passages un peu bluesy qui lui vont à merveille. La demoiselle sait aussi varier les styles, et pousser quelques grunts et autres hurlements, mais là j'avoue être moins fan. Mention spéciale, à la ballade "death of loneliness" qui est vraiment très belle et émouvante.

Ce qui m'a surprise et un peu déroutée au début, c'est la production, assez brute. Un manque de moyen financier ? non, pas du tout, le groupe a volontairement opté pour un son proche de ce qui se faisait dans le rock/blues des années 80. Le résultat est très loin des superproductions léchées de nos jours et il faut un certain temps pour s'y habituer. Je pense que pour certains, cela sera un gros défaut.

Une musique intéressante, qui serait encore mieux et toucherait plus de monde avec une production plus actuelle... on attend le 3ème album ;)

NOTE : 14,5/20


Jerry Fielden - AraPacis

Interview By Philippe De Antares

http://www.femmemetal.net/arapacisjerryinterview.htm

We have reached Jerry Fielden, the mastermind of the Canadian progressive metal band AraPacis for know more news about the latest release "Consequences Of Dreams" out on Femme Metal Record. Enjoy!!!

Hello Jerry! How are you?

Good thank you Phil, just came back on November 15th from the UK where I saw the musical "We Will Rock You" with a special appearance by Brian May and Roger Taylor of Queen and two Deep Purple shows!

I see your band, AraPacis, released their 2nd full length album recently. It is called "Consequences of Dreams", which is a very interesting title in my opinion. So how did the recording process go?

Thank you for your comment on the title! It took a very long time, because we had some personnel changes, we had to rerecord the tracks several times. So three years between the first album and this one. The recording itself was fun, especially when it came time to add all the little extras like synths and mandolin. Also the vocals were real fun, Lizzie poured her heart and soul in each song she did.

How would you describe and how this new album sounds?

Well the idea was to do a mix of several styles like on our first album, but a little heavier. We have some hard rock, doom metal, progressive, gothic, blues rock, metalcore, etc. This shows the influences of the various members. And as it is, we deliberately did not overcompress the sound to make it more like a 80s production and a bit less “hot” than modern productions. Next album will be different!

What are, in your opinion, the consequences of dreams?

It is really a series of images and visions that came to me when I was writing the song. It was almost like automatic writing, in a sort of dream state, which is where the title came from.

There is a great song on "Consequences of Dreams" called "The Green Fairy", I was wondering if you had any absinth stories you would like to share with the readers?

Thanks for that comment too . As for absinthe stories, I’m afraid not. I did read "L’Assomoir" by Emile Zola which is a book about absinthe drinkers in the Second Empire of France under Napoleon III. Excellent book. My friend Bonnie McKannon actually wrote the lyrics to that one when she was 15, and it is more based upon something she wanted to express. It’s not just about absinthe drinking – it’s also about a more personal experience of hers.

You probably get this question all the time, but where does the name AraPacis come from?

AraPacis is based on the Altar of Peace of Ancient Rome (the Ara Pacis is a small temple/altar that still stands to this day in modern Rome), that was built by the emperor Augustus in 9 BCE to commemorate victory and peace with the German tribes at the Northern border of the Empire. A beautiful piece of Roman art really.

What kind of music you listen to these days?

Well I like listening to old school music a lot (Deep Purple, Black Sabbath, Emerson, Lake and Palmer, Jethro Tull), progressive like Rush, King Crimson and Dream Theater, blues rock like Stevie Ray Vaughan and Robin Trower, some metalcore like Straight Line Stitch and Killswitch Engage, doom metal like Candlemass, and Classical like Bach, Beethoven, etc.


Would you say you prefer doing studio work or performing live? Why?

I like them both but would say I like performing live better.

What are your best and worst live experiences?

Best was this last show we did to launch our second album, everything gelled right. Worst, probably last year at Saints where our monitor feed was so bad we couldn’t hear each other and made a lot of mistakes, and one of my guitars went so out of tune it took a few moments to get it back in tune properly. And I had to sing and play during those parts. No fun I tell you!

How would describe the femme metal scene in your hometown, Montreal?

It was very vibrant, but seems to have slowed down some. We have played with some very good FFM bands in the last few years, but some of our friends’ bands have broken up or are just not playing shows. The Agonist is doing well, but I can’t think of any others that are really shaking up the scene like a couple of years ago. I think really that the "gimmick" aspect of female fronted metal has died down and that now FFM bands have to compete on an equal footing with their male counterparts. I could be wrong, but that’s the impression I get.

Where we can purchase your new album, "Consequences Of Dreams"?

You can get it from Amazon.com, HMV.com, Femmemetalstore.net and directly from us. I’ve also seen it on a variety of European distributors’ sites. Soon it will be on sale at Profusion for our fellow Montrealers and also on iTunes in the near future.

What are your plans for the future?

Well Eric, Lizzie and I have already started writing songs for the next album. We are aiming for an even heavier sound and a more modern production, but we will keep the variety of styles that makes this band what it is.

Thank you very much Jerry for answering our questions, I hope you had as much fun as I did. Any last words for the readers?

Thank you very much for asking them! Yes I always have fun when answering interviews . I’d like to say a big thank you to everybody for reading this, Caz and Denise for signing us and releasing the albums and to all our fans for believing in us and buying our music! And thanks to you Phil and Miriam (thanks so very much Jerry, I'm very honoured, Miriam xx). All the best everybody!


http://www.femmemetal.net/arapacisconsequencesrev.htm

AraPacis - "Consequences Of Dreams" (2009)

Bookmark and Share

Label: Femme Metal Records

Review By Tony Cannella

 

 

AraPacis are a progressive/goth/rock/metal band from Canada - whew! That's a mouthful. When you hear their newly released second album, titled "Consequences of Dreams" you'll see why the band could fit so comfortably into many genres of metal, of course there are some who think categorization is a sin, honestly the best thing is to give AraPacis a listen and decide for yourself where they fall. What can't be denied however, is the sheer ferocity and diversity of "Consequences of Dreams".

The chaotic opening track "Consequences of Dreams" kick things into gear in a big, heavy, fierce way. "Solitary Abode", "The Green Fairy" and "Haunted Forests" keep things going as the band adds plenty of melody to go along with the crashing rhythms and heavy guitar riffs. Probably my favorite track on the CD is the awesome ballad "Death of Loneliness", a bit of a departure from the other material, but it just fits so well and it is as haunting as it is beautiful. "Hesitate" brings things up a notch (or two) in the heaviness department. Other highlights include: "Theocracy", "From The Dark", "Roadways" and the awesome 8-minute instrumental "Thunder Lizard" that closes the CD.

Overall, I was very impressed by this CD. AraPacis are a band that have been creating a pretty strong buzz in the underground and judging by the material contained on "Consequences of Dreams", that buzz is extremely well deserved. The songs take you in many different directions, so just sit back and enjoy the ride.



Rating: 80/100

Tracklist :

  1. Consequences of Dreams

  2. Solitary Abode

  3. The Green Fairy

  4. Haunted Forests

  5. Death of Loneliness

  6. Hesitate

  7. Theocracy

  8. Roadways

  9. From the Dark

  10. Thunder Lizard

Line Up :

  • Lizzie Fyre - Vocals
  • Eric Litinas - Bass
  • Jerry Fielden - Guitars, Keyboards, Mandolin, Vocals
  • Pedro Osorio - Drums

 

http://www.metaluniverse.net/lire_critique.php?id=1627
Groupe: Arapacis
 Album: Consequences of dreams (2009)
Style : Progressive Gothic Metal

Compagnie : Femme Metal Reco

Format : CD

Liste des pistes : 

01. Consequences of Dreams
02. Solitary Abode
03. The Green Fairy
04. Haunted Forests
05. Death of Loneliness
06. Hesitate
07. Theocracy
08. Roadways
09. From the Dark
10. Thunder Lizard
 
 
 Auteur : Albert Lamoureux
 
Albert Lamoureux
AraPacis est un groupe originaire de la Rive-Sud de Montréal. Formé en 2003, il s’inspire de plusieurs groupes des années 1970, notamment Deep Purple, Black Sabbath, Led Zeppelin et Iron Maiden. Le style préconisé est un amalgame de différents genres de métal, mais ce sont les racines rock progressives qui sont au premier plan. Nous retrouvons aussi des influences doom et gothique à quelques endroits. Le groupe est composé du guitariste fondateur Jerry Fielden, de Lizzie Fyre au chant, d’Éric Litinas à la basse et de Pedro Osorio à la batterie. Après plusieurs changements de personnel, voici finalement leur deuxième album qui a pour nom ‘Consequences Of Dreams’.

C’est sous une belle introduction de guitare que s’amorce la pièce titre. La musique est entrainante tout en étant lugubre et mélancolique. C’est toutefois la voix de Lizzie qui retient l’attention avec une prestation à la fois triste et brutale. La structure musicale de ‘Solitary Abode’ est complexe et contient de nombreux changements de rythmes. Encore une fois, Lizzie nous démontre la polyvalence de sa voix. Cette fois, c’est un mélange entre le genre brutal et émotionnel auquel nous avons droit. La pièce ‘Green Fairy’ débute sous les cris de Lizzie, on remarque immédiatement que ce style vocal n’est pas sa force. Fort heureusement, la majorité de la composition est chantée dans un registre qui lui est plus favorable. La mélodie de la guitare est jolie, mais peu variée. On retrouve un beau mélange entre la voix brutale de Jerry et celle de Lizzie sur la pièce ‘Haunted Forest’. La composition est bien réussie sans être trop différente de la structure classique d’une composition gothique surutilisée depuis les dernières années par les nombreux groupes de ce genre. C’est avec une autre belle mélodie jouée à la guitare sèche que l’on découvre la ballade ‘Death Of Loneliness’. Lizzie nous offre une belle performance vocale qui correspond davantage à style vocal. Pedro nous montre aussi tout son talent à la batterie plus particulièrement lors de la seconde moitié de la composition. ‘Theocracy’ débute tranquillement, mais devient rapidement le titre le plus lourd et rapide de l’album. Les arrangements vocaux manquent un peu de profondeur même si nous avons droit à un bon mélange entre les voix de Lizzy et de Jerry. L’un des plus beaux morceaux de l’album est sans contredit le titre ‘Roadways’ qui sort directement des années 1970. C’est un superbe mélange de rock et de blues comme Deep Purple le faisait si bien par le passé. La voix de Lizzie est chaleureuse et forte, elle ressemble beaucoup à celle de Lee Aaron. L’album prend fin avec le titre instrumental à connotation progressive intitulé ‘Thunder Lizard’ qui met en vedette le batteur Pedro. Ce dernier nous en met plein les oreilles tout au long de la composition. 

Les amateurs de musique rock progressive aimeront le style vieillot que nous offre ce groupe. Malgré l’effet naturel que nous donna la production, la voix est cependant trop en avant de la musique et est très marquante. Un peu plus de profondeur et d’harmonies vocales auraient grandement amélioré le résultat final de ce deuxième album. Arapacis est un groupe peu connu qui mérite une écoute ou deux.


  Note de MU : 7/10 Note des Membres : --/10

http://www.quebecpop.com/Nouvelles2009.htm#D0014

AraPacis - Consequences of Dreams

Groupe de Montréal qui oeuvre dans le style métal progressif en anglais, AraPacis est majoritairement centré autour du guitariste et compositeur Jerry Fielden et de la chanteuse Elizabeth (Lizzie) Fyre. On y retrouve aussi le bassiste Eric Litinas et le batteur Pedro Osorio.

Consequences of dreams est leur deuxième CD de chansons originales, faisant un bonne place aux guitares tonitruantes et permettant à la voix de Lizzie d'évoluer dans plusieurs sphères du rock lourd (la pièce-titre,The green fairy, Haunted forests, etc), de la ballade (Death of loneliness) jusqu'aux cris du corps émanant lors de passages particuliers de Solitary abode.

Doté d'une pochette magnifique, l'album plonge l'auditeur au milieu de ses rêves et de ses cauchemars, pour le meilleur et pour le pire. Lancé au début du mois, le groupe prépare une série de concerts pour promouvoir l'album, notamment le 12 décembre prochain au Pub O'Hara's de Montréal.

Réalisé par Jerry Fielden qui est l'âme du groupe depuis de nombreuses années, grand amateur de Deep Purple et autres groupes du même genre, l'album est lancé sur l'étiquette Femme Metal Records et on peut se le procurer en communiquant avec le groupe via leur site internet.


Michel Parent, Québec Pop, octobre 2009
http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=125587


ARAPACIS To Release 'Consequences Of Dreams' In October - Aug. 20, 2009
Montreal, Quebec, Canada-based female-fronted progressive/gothic metal band ARAPACIS will release its second full-length album, entitled"Consequences of Dreams", on October 5 via Femme Metal Records. The effort includes the track "Death of Loneliness", which originally appeared on Femme Metal's double compilation CD "Demonic and Divine". 

"Consequences of Dreams" track listing:

01. Consequences of Dreams
02. Solitary Abode
03. The Green Fairy
04. Haunted Forests
05. Death of Loneliness
06. Hesitate
07. Theocracy
08. Roadways
09. From the Dark
10. Thunder Lizard

ARAPACIS is:

Lizzie Fyre - Lead Vocals
Eric Litinas - Bass
Jerry Fielden - Lead Guitar, Synths, Mandolin, Vocals
Pedro Osorio - Drums

For more information, visit www.myspace.com/arapacis.


 


http://www.canadianbands.com/Arapacis.html

A
rtist: Arapacis
CD Review: SO MANY LEAPERS
By: Dan Brisebois

It's unfortunately rather rare to have a band hit the mark on its first try, but that's what happened with Arapacis' debut, SO MANY LEAPERS. Initially formed in 2003, the Toronto foursome consists of Shelsey Jarvis on vocals, Jerry Fielden on guitars, Gab Boudreault on bass and drummer Ray Tessier. The band has headlined the Hard Rock Cafe in Montreal, as well as opened for Anvil and Raven, among other heavy hitters.

Released in 2006, the album is as if the 70s legends have been brought up to date. The list of bands Arapacis calls influences is impressive and deep - Deep Purple, Black Sabbath, Mountain, and even Janis Joplin. But a highlight of SO MANY LEAPERS is it's progressiveness with an edge - hence the Rush and Iron Maiden undertones.

Fielden is the chief song writer, and the lyrics are provoking, if not tantalizing, - delvng into a wide range of emotions. From the opening speed riffs of the lead-off title track, the album has balls, there's no mistaking that. "Drop of Hope" is arguably one of the best underground heavy tracks this year. "Histories" is the token ballad on the record. The trap many bands fall into is not taking the opportunity to make slower paces something special. That's far from the case here. The song's intricate vocal mix plays well with the a carefully thought-out keyboards underlay.

Listen to "Tale Spin" and you'll hear the Maiden influences - "Reflections" and you can't help but think Hendrix - as Fielden tears through the tempo changes like the proverbial axe through butter, all the while Jarvis' vocals tear into you and seldom let go. Sometimes borderline goth, often wrenching and always intriguing - she has one of the best sets of pipes on the scene today. "Soldier of Fun" is an interesting number, that features one of Jarvis' best vocal performances.

The mix on "Time's Has Been" showcases an almost goth-feel to the song, and can actually be heard being hinted at throughout the album. "Fast Fingers" is sure to be a hit with any fan of screaming guitar licks, with keyboard solos highlighting an instrumental that's held down with a solid back beat.



Extreme Metal Webzine (February 2009)

ARAPACIS

AraPacis are a truly progressive band, hailing from Canada and delighting in a sound that combines 70s prog rock with a modern, gothic metal twist, ably held together by the overarching vocals of frontwoman Lizzie Fyre. Invested with boundless creativity, this is an act unafraid of the possibility of forging their own path. The band are currently working on their second album, and already have some live appearances planned for later on in the Summer.

Myspace: www.myspace.com/arapacismtl

 

In my view… Jerry (AraPacis)

What are AraPacis's plans for 2009?

We are in the process of recording our second album, which at this point has 7 songs recorded instrumentally and is now at the vocals recording stage (2 are actually done: "Consequences of Dreams", which will probably be the title track  to our next album and is out now on MySpace and other sites, and "Death of Loneliness" which should be on the next FMR compilation "Demonic and Divine". We will probably record another 3 or 4 songs to flesh out the album, as we have had time to write some interesting new material since recording those original 7. Once the album comes out, we plan to tour a lot to support it, starting at the beginning of May most likely.


How did you come into contact with Femme Metal Records, and what have been your impressions of the label so far?

I came into contact with Caz on her Femme Metal Forum and the work she did on that really impressed me! We kept seeing a lot of each other on various forums and sites, and then she featured us on her forum as well as offered us a slot in the "Ferocity and Femininity" compilation, which we thought was really cool. When she opened her record company she offered to sign us and her terms being very favourable, we accepted just about immediately. As for the label, I have looked at the other bands she has signed and there is quite a lot of talent and variety in her roster. So this is looking very promising for both parties.

 

http://hierophant-nox.com/features/femmemetalband.htm

 

 

 

Review from Lords of Metal Netherlands

Femme Metal - Ferocity & Femininity 
Anthem Records NL

file under Gothic metal

Kim: This compilation CD is made by three people who only know each other by internet; Ronald Bleys (Anthem Records NL), David Melanson (mastering, artwork) and Carrie Sharp (the woman behind femme metal forum, webzine and metal store). The three of them share the passion for the so called heavy rock/ metal with female voices and that’s why they decided to gather fifteen femme metal bands (of six different countries) to join this project. I don’t know if it’s that special, because it’s common these days to make compilations only by internet. 

This binder contains only two femme metal bands I already knew; Dyonisis and Ancestral Legacy. Furthermore there’s only one band on this album which has a record label; Liquid Sky from England. Okay, it’s obvious that there are no usual metal bands on this compilation, but there are no top bands with qualities that don’t exceed a demo sound. The peaks on this CD to me are Arapacis (Canada) with ‘So Many Leapers’ and Dyonisis (Engeland) with ‘Xact’. 

That there was no personal contact between the raisers and that the benefit will be for a good effort are maybe some special things about this CD, but there are too many compilation CD’s nowadays. Maybe we can call this a new concept, because of the fact that there are bands on this CD from countries outside of Europe. Finally we can meet some gothic metal bands from the U.S., Australia and Canada, but I don’t know if it’s a nice addition….. 

Tracklist 
Adastreia - The Reach (United Kingdom) 
Hanging Doll - Sweet Retribution (United Kingdom) 
Submerged - This Thing Of Darkness (United Kingdom) 
AraPacis So Many Leapers (Canada) 
Fateless Tears - Mesmerized (United States) 
HAND - I Find Myself (United Kingdom) 
Dremora - Alone (United States) 
Maida Vale - Remote Control (The Netherlands) 
Dendura - Symphony (United States) 
Celticia - Misshaped Scenes (United Kingdom) 
Afterdawn - Top of Occasions (United States) 
Temujin - Let You Go (Australië) 
Dyonisis - Xact (United Kingdom) 
Liquid Sky - Ghost in the Shell (United Kingdom) 
Ancestral Legacy - Disclosed (Norway)

Rating: 67/100 (details)

http://69.64.96.230/

http://www.lordsofmetal.nl/showreview.php?id=13051&lang=en

 

 
Lunamag.net (Maroc)
Arapacis (Canada)
Auteur : Best Forgotten   

 

Comment peut-on définir la musique d'AraPacis ?

C’est un mélange de métal classique, prog, doom et un peu blues et gothique, le tout avec une chanteuse!

Il y a eu pas mal de changements du côté d'AraPacis après le 1er album « So many leapers » Que s'est-il passé ?

Ray a dû partir à cause de problèmes de santé, et Shelsey voulait aller dans une autre direction musicale.

Parlons de vos influences musicales …

Jerry : Le côté métal classique / hard rock : Deep Purple, Black Sabbath, Led Zeppelin, Mountain, Hendrix / prog: King Crimson, ELP, Dream Theater, Rush, Gentle Giant, Al DiMeola / doom : Candlemass / Gotchiuque: Therion, Within Temptation, After Forever / Blues : BB King, SRV, Frank Marino, Johnny Winter … et beaucoup d’autres comme Bach, Vivaldi, Chick Corea, Les Beatles etc.

'Soldier of fun' semble un titre phare de cet album. Peux-tu nous en dire plus?

C’est une chanson dont Shelsey avait fait la musique sur le piano et que j’ai complétée avec des riffs d’une autre chanson et j’ai voulu y faire des paroles anti-guerre. Nous ne la faisons plus maintenant car nous n’avons plus de claviers onstage!

Qu'abordent donc les paroles sur SML ?

La paix, l’anti-autoritarisme, l’amour.

La pochette est particulièrement malsaine. Que représente-t-elle exactement ?

C’est le groupe déguisé en Romains avec d’autres personnages imaginaires. Le thème est basé sur So Many Leapers, qui représente des gens suivant aveuglément une autorité qui leur dit de sauter en bas de la falaise.  C’est Ray qui saute … il voulait être représenté ainsi!

Vous Travaillez en ce moment  sur votre 2éme album, à quoi devons-nous nous attendre ? 

Peut-être il sera un peu plus heavy! Mais il y aura toujours de la variété dans les Jstyles 

Avez vous reçu des propositions de labels… ?

Nous avons été représentés sur une compilation canadienne « As We Storm Canada » au Stormcanasa – et nous parlons à d’autre labels, mais rien de concret encore. Nous sommes aussi distribués par Sonic Cathedral, le plus gros vendeur de female-fronted metal, et par iTunes.

Que penses-tu de la grande quantité de groupes métal qui pullulent sur le marché aujourd'hui ?

Je pense que c’est super! Vive la variété, ceci n’était pas possible avant l’avènement de l’Internet!

Quel est le meilleur public pour lequel ait joué Arapacis ? Et préfères-tu les petites salles ou les festivals?

Tous les publics sont les meilleurs! J’aime jouer autant dans des petites salles que dans les gros festivals!

A tu une idée sur la scène métal au Maroc et au monde arabe?

Je ne m’y connais pas beaucoup, mais je veux en apprendre plus – je vais sûrement m’instruire avec toi et Luna! En passant, nous avons déjà eu une chanteuse libanaise dans le groupe!

Un message particulier à vos centaines de fans Marocains et Arabes ?

J’ai certainement hâte de  tous vous rencontrer et de jouer pour vous!

 http://www.lunamag.net/index.php?option=com_content&task=view&id=29&Itemid=28

 

Lady Rock Question Time with Elizabeth Fyre, Lead Vocalist with AraPacis, April 2008dy

Elizabeth Fyre Lead Vocalist with AraPacis

What are you currently up to?
I’m performing and recording with my band for the moment, although I do have an acoustic project in the works that I am currently writing for.
What was the first record you bought?
Wow, I can’t remember that far back… but with my own money I believe the first record I bought was Marilyn Manson, Antichrist Superstar… which is still to this day one of my favorite albums ever.
Who is the most famous person you've met?
Probably the guys from Deep Purple. Meeting Steve Morse was definitely a dream come true. I’ve been a big fan of his and the band since I was little.
What is your most nerve-wracking experience?
I’ll say my first time ever being on stage with the band… although it went a lot better than I had anticipated, I was really nervous. Now, I can call a stage my home… it’s where I feel most comfortable and fearless.
Who has the worst fashion sense in the band?
Haha, I don’t know. I’ll say all the guys need a little bit of help in that department. Razz I’m gonna get in shit for this, I know it.
What influenced you to become a singer?
I don’t think anything really influenced me, it’s just always been in me. I’m fortunate enough to have grown up in a pretty music oriented family, but I have to say a lot of my inspiration came from Janis Joplin... watching and listening to her can never get old for me.
Who is your all time favorite actor and what is your favorite movie?
I don’t think I can pick one favorite actor. It’s a tie between Jim Carey & John Travolta. They’ve both made movies in which I’ve adored every single one. And my favorite movie is either Eternal Sunshine of the Spotless Mind or Almost Famous.
If you could place 2 songs in a time capsule (to be opened in 100 years), what 2 songs would you choose and why?
I wish I could answer that one, too many songs running through my head. Regardless of what music will be in 100 years, I still think it will never top what came out of the 70’s and 80’s. It’s just an era of music that can’t ever be done again.
If you could choose one artist to do a duet with, which would it be?
Dead, I’ll pick Janis obviously. Alive, it would be Glenn Danzig hands down. His voice is one of a kind and with so much power and emotion, he makes everyone of his songs timeless. If you haven’t heard Let It Be Captured by Danzig, go listen to it NOW! Haha. I would do anything to sing that song with him.
Do you have a Message for the Lady Rock Members?
Just a big BIG thank you to everyone and anyone that has supported AraPacis in any way. We love you guys
!

http://ladyrock.informe.com/viewtopic.php?t=1677

 

Interview with Lizzie from AraPacis (Montreal, Quebec, Canada), January 2008

From Metal Angels Forum


Part 1 - General

Since when have you been singing?
- For as long as I can remember. Most likely since I was able to start talking
as well, and make sentences that made sense, lol. My mother would say I really
started taking an interest in music and singing when I was about 3 years old.

And you have been singing in AraPacis since when?
- About a year now. Seems like just yesterday that I joined the band, times
flies by so fast when you’re having a good time

Do you take lessons in a particular style of music?
- I used to be in private vocal training for quite some time with a lovely
musician/teacher named Vivienne Deane. We concentrated really on pitch and
tone, and with that came singing a lot of jazz and classical pieces. She became
a really good friend of mine, and I can’t thank her enough for everything she
has taught me.

Who are your influences?
- Vivienne has definitely become one of my influences. She’s accomplished so
much for herself career wise… i.e.: establishing her own studio, teaching
music, recording albums, performing, etc. She is definitely someone I look up
to. My grandfather is also someone who I idolize. He has been a musician for many
years, and still to this day will never let go of his guitar. He is now 71
years old, but has been singing and playing guitar in various bands since he
was a teenager. He is simply my inspiration to keep on going, and never give
up.

Since when has music been your passion?
- Again, for as long as I can remember. It has always brought me comfort and
peace, and has acted almost like a form of escape. It is really the ONLY thing
in this world we live in that I can always count on to help me forget, or feel.
I don’t ever see myself with out music, or me not playing music. I’ll always
find a way to incorporate it in my life.

In music, who are your idols?
- Wow, ummm… first person that comes to mind… inevitably the timeless, Janis
Joplin. She represents everything that is music. Well for me anyways. I still
to this day, have not seen an artist put as much of their heart and all their
emotions into what they do like she did. And without fail, in almost every song
she is able to make me cry. I hate to admit it but it’s true, haha. The soul,
the passion, the hurt, the joy, everything she has ever felt is so
overwhelmingly present every time she opens her mouth to sing. You can almost
feel what she is feeling, and to me there is no greater gift that an artist can
give to their audience.

Do you have a Web Site/MySpace?
- I do, well we do… the band. Either
http://arapacis.com or
www.myspace.com/arapacismtl

Part 2 – Band

Why AraPacis and not another band?
- I’ve become quite fond of the genre of music we play. It isn’t really like
anything you’ve ever heard. There are so many different types of music
incorporated in everything we do, it makes for a different feel and sound
altogether which I think is totally rad.

How did you meet?
- I used to have my own MySpace music page where I posted my solo acoustic
stuff. I still do love to do that, but I really wanted to be part of a band,
and so I believe I posted something about that and Jerry from AraPacis simply…
found me, haha. I came to audition one day, and a few days later was asked to
officially be in the band.

Were you in other bands before this one?
- Not really. I had been asked before, but nothing genuinely sparked my
interest until I heard and found AraPacis. I was really ready to commit to
something real and put together, and I didn’t want to do that unless I was
sincerely interested.

What are the song(s) that make you dream every time you play them?
- I do have a few favorite songs I like to sing. I mean, they all have
something special about them. But I love singing a newer song we have called
Consequences of Dreams. Lyrically, I think Jerry did an exquisite job at
writing it. It also has such a heavy and raunchy sound; I really get into it
when I sing it. And to go with an older song, I would have to say Histories. I
love the emotions that stem from the song. We’ve changed it around a little and
have given it more of an acoustic feel, which really sets the mood for the
lyrics I think. I love closing my eyes, and getting completely lost in that
song.

Are there songs you have created yourself?
- I recently wrote a song for the band that will be on the upcoming album. It’s
called Death of Loneliness, and it’s somewhat of a power ballad. This
song came to me very naturally, and didn’t take very long for me to write,
simply because at the time I was going through somewhat of an emotional
rollercoaster. I picked up my guitar, my pen and notebook… and within a couple
of hours I had a song I’ve come to absolutely adore.

Do you have other projects?
- I have been working on an acoustic project for a couple of years now. But
because I’ve been so busy, I’ve been putting it off. I’d like to start it up
again, take it a little more seriously. It’s more along of the lines of folk
and blues. I’ve been writing a lot more lately, so I’m confident that soon enough
I could get into the studio and record some of it.

What are your favorite shows and where?
- So far, I’ve enjoyed every single show I’ve done with the band. Inevitably
some were most likely better than others. But I always have a good time, and go
out there and give it my all. I think that’s what it’s all about anyways. It is
ok to take your music and performance seriously, I definitely do. But you’ve
got to draw the line somewhere for a little fun too.

Favorite(s) crowd(s)?
- Every crowd is different; every crowd gives off a certain energy. But the
show we did with Anvil at Katacombes, the people were fucking awesome. Couldn’t
have been better!

Part 3 – New Album

Now let’s talk about your upcoming new album a little…

What style(s) is it in? Why these styles but not others?
- I don’t think it has a particular style. Although I will say, the new stuff
definitely has a heavier sound. A little bit more of a darker influence even;
you can expect a lot more aggressiveness in the singing, and double bass in the
drumming. Altogether, I’m really excited about the new dynamic that has come to
AraPacis.

What’s your technique to be a great singer?
- I can’t say I have a well thought out technique. But I do think letting go,
and not being afraid of trying new things really does have an influence. Since
joining the band, I’ve done things with my voice, I’ve hit notes… I never
thought I could. I was hesitant at first, but now I can’t get enough of it,
haha. Man I don’t even know, I just get into the music and do it.

What is your advice to new singers these days in this tough world of the music
business?

- Honestly? Just two things really… 1)
DO NOT BE AFRAID. Let your guard down, let people see the real you. No one
likes a fake, and the more you are yourself the more people will be drawn to
you. Don’t try to sound like anyone else out there, be comfortable with your
voice, get to know your own voice and master THAT, not anyone else’s. 2) Don’t
let anyone’s opinion get you down. Along the way, there will be without a doubt
people who will criticize you, judge you, and probably even tell you they think
you suck, haha. You just have to keep your head up high, and keep doing what it
is you love. Never compromise that for someone’s negative opinion of you… shrug
it off… whatever, tell them to fuck off. Do what YOU gotta do.

With the passing of time in the band, are you enjoying yourself more? What do like
the most in the band?

- Yeah man, I am enjoying myself more and more. Every practice it just gets
better and I get more excited about it all. I don’t know if there’s anything I
like the most, you learn from the low points, and you gain from the high
points... I think they balance each other out. Just like any other band, we’ve
had some pretty rough patches, and there will be more to come just like
anything else in life… but I stick to it and will keep on sticking to it,
because I believe in the band… and the people in it.

When it comes to composing, do you refer to feelings or real life facts or something
else?

- A lot of my writing comes from feeling and emotion. I have a hard time
avoiding my feelings, and have come to accept them all, whether good or bad.
I’ve also learned how to use them as a tool for writing music. I think any good
song stems for a feeling or a strong opinion you might have about something. I
think it’s important to just write whatever you feel, people will relate to
that.

Would you like to add anything else to all this?
- Yeah, just would like to thank the band, and Jerry personally for making my
time in AraPacis as awesome as it is. And of course everyone out there that
supports us, thanks a lot.

Thanks for your time, Lizzie!

Christine, Metal Angels Productions
http://metalangelsproductions.com/shows-interviews-f53/interview-4-lizzie-from-arapacis-by-darkangel-t1256.htm

MetalAngels Productions
 

 
Stunning debut release - 95%
Written by ruigeroeland on September 28th, 2007
http://www.metal-archives.com/review.php?id=119408
I had this band’s debut and so far only release on my wish list for quite some time now, without really knowing what they sounded like. I read some positive reviews online though, labeling them as a blend of pop/rock/hard rock or as a progressive gothic metal band. Comparing them to Rush with Avril Lavigne on vocals, Anvil and Black Sabbath. No wonder I was not sure what to expect.

To get the style of playing out of the way: after listening to the disc a couple of times I would classify them as a progressive metal/rock band with some Stoner Rock-ish moments in a couple of the songs. I think the gothic tag does not apply to them at all though and it seems this categorization is just placed upon them because they happen to have a female singer.

And what a singer she is! She is just one of those singers you like right away, without knowing exactly why, I guess she has a certain warm tone and powerful voice that’s highly enjoyable to listen too. She excels in the slower song “Histories” with it’s catchy chorus (which is an amazing song and probably my favorite after a couple of spins).

The “progressive” elements are highlighted in very enjoyable instrumental parts in the more up-tempo songs. Showing off the skills of the band. These guys are all excellent with their instruments! Although they utilize some song structures that would classify them as progressive, I must stress that this is not the showing off, “hey look at how good I am with my guitar” sort of progressive, but always has a rocky head bopping edge.

I am quite impressed with this debut release. This band deserves to be heard!

Note: I read the singer has left the band since the release of this disc though, and I truly hope they found a suitable replacement.
 
CD review: AraPacis - So Many Leapers
http://www.soundofmetal.se/index.php?page=arapacissomanyleapersreview (Sound of Metal zine)
AraPacis” is a Canadian female fronted band, playing a mix of Hard-rock with Progressive rock/metal. They were named after a Roman altar to Peace and their lyrics are often anti-war, something I liked.

So Many Leapers” is the band’s first album released in 2006. Although the booklet design was rather good, the front cover didn’t impress me much, since I find it quite dull without any colors. Something similar I would say about the music too. Although there are some nice melodies and the singer seems to do quite well, the whole album failed to catch my attention, since there was no killer song or something that would awake my interest. I’m not saying the music or the songs are bad, but I think they lack on inspiration and that makes them average. It’s just like an album filled with filler tracks, made just for the reason to have an album. I’m sure the band can write something better in their next, because they don’t sound incapable at all. They surely know how to play music.

I don’t know whether the band recorded it in a professional studio or at home, but the production was a disappointment. Especially the vocals sound a bit away from the rest of the music, creating the feeling of a bad recording or amateurism. I’m sure the band sounds better live, but this doesn’t look like it was recorded in 2006. A bad production usually leaves negative feelings to the listener, or at least, didn’t allow me to enjoy the music. I’m also not sure if the band did this production in purpose, to create a feeling more close to the 70’s or 80’s recordings, since the music they play is more close to the hard-rock of that time.

Generally, the album is not bad, but it’s not something special too. It might be appealing though for fans into female hard-rock with progressive influences. Give it a try and judge by yourselves.

Constantinos Alexakos

Tracks:
 01. So Many Leapers
 02. Drop of Hope
 03. Histories
 04. Tale Spin
 05. Reflections
 06. Time's Has-Been
 07. Fast Fingers
 08. Soldier of Fun

Performance: 7
Songwriting: 5
Originality: 5
Production: 3

6/10
 
 

Tuesday, 12 June 2007

Interview: Arapacis 'The Altar Of Peace' [Metal/Rock]

 


 

Arapacis are a female fronted band, formed in 2003, releasing their debut CD 'So Many Leapers' in 2006, featuring vocals by Shelsey Jarvis. Shelsey has since left the band, and been replaced by the young vocalist Elizabeth Fyre. The band are currently searching for a new drummer, and performing live throughout their country. Here i speak with guitarist and main songwriter, Jerry Fielden.




Hi Jerry! Thanks a lot for taking the time to answer these questions!

-You're welcome!

Lets start from the beginning: How did you come up with the name AraPacis?
-Well I'm a History graduate with my specialty being ancient Roman history, so I came up with the name of one of their most beautiful pieces of architecture, the Ara Pacis ("altar of peace" in Latin), which was built in 9 BCE by the emperor Augustus and still stands to this day in Rome.

When you lost original vocalist Shelsey, did you fear you wouldn't be able to replace her?
-Yes and no, and she wasn't actually our first vocalist (although she's right up there as one of the best I know and of course, sang on the first album), I knew it was just a question of time and patience to find the right person. But yeah, they were tough shoes to fill!


Your fanclub leader, and good friend Bonnie McKannon wrote the lyrics to your song 'The Green Fairy'. Were the lyrics written especially for the band?
-I saw the poem in her blog, thought it was amazing, and asked her if I could use it. All she had to do was to write a chorus and there - we had a great set of lyrics, I just had to put the music to it after.


Would you say that you are building a solid fanbase thanks to your constant live shows?
-It is taking a while, we are building slowly - it's a relatively small fanbase as our genre is quite uncommon - a female fronted metal band playing old school mixed with prog... and it's a lot less gothic than most female fronted bands! - but these are very dedicated incredibly unique fans from all over the world and of course, we love them all :)


Since its formation, AraPacis has lost many members, has this ever disheartened you?
- It depends on the circumstances; in cases like Shelsey's it was obviously hard, but in some others it was quite a relief! That said, I wish them all success in whatever they are doing!


What does the year ahead hold for AraPacis?
-Well we'll be surely recording our second album - we have a great set of new songs, written by Bonnie, Shelsey, Liz, Gab, and myself. So it will be as varied as the first if not more :) And yes, we have to find a new drummer too. Also, we'll be playing as many shows as we can.
Possible track list (in no order, and not sure if they will all be used)

-The Green Fairy (McKannon, Fielden) -Theocracy (Fielden) -Towers in the Evening Sky (Boudreault, Fielden) -Siren's Call (Boudreault, Fielden) -Consequences of Dreams (Fielden) -Roadways (Fielden) -Death of Loneliness (Fyre, Fielden) -Going Noah (Jarvis, Fielden) -Hesitate (Jarvis, Fielden) -Thunder Lizard (Fielden) -Live Forever, Die Soulless (Boudreault)

and more!

Will the band be venturing out of the country for any shows on foreign turf?
-We'll be probably touring Europe first, that will be a lot of fun! As for the US, we'll see in a couple of years what is happening.


Thanks!

Most welcome! Cheers, Jerry

  Billy & WegVag's Music Review: Interview: Arapacis 'The Altar Of Peace' [Metal/Rock]

http://bmvmusic.blogspot.com/2007/06/interview-arapacis-altar-of-peace.html

 

 

Reviews for AraPacis's So Many Leapers

Not a bad start - 67%
Written by Noktorn on May 9th, 2007

 
I've never been much of a gothic or a prog fan, so this review will be mostly geared towards those who are. Arapacis is just such a fusion out of Quebec. Clean female vocals with periodic growls, melodic yet heavy riffing backed up by rock-inspired leads and ethereal synth lines, omnipresent bass forming a bed for the guitars, basic but effective drum performance: pretty standard, all things considered. But it's executed pretty effectively at points, though some much more than others. Overall, 'So Many Leapers' is a pretty solid debut for this band.

Arapacis excels, like most gothic bands, on their slower, ballad-style songs. There's a high level of guitar/hard rock influence on this album that is more beneficial than detrimental, giving the songs a tinge of groove necessary to keep them moving. The addition of melodramatic leads keeps the emotional highs of the compositions flowing well, such as on 'Histories', probably the best track on this CD. This is where the band syncs up perfectly: making melodic, rock influenced metal that manages to be catchy, captivating, and well-written without an excess of clutter.

There are a couple slip-ups, but nothing that ruins the album. Vocals are generally good, but there are points where Shelsey Jarvis feels it necessary to let loose a screech that's beyond her abilities, causing my eye to twitch in a most unpleasant fashion. This also isn't a terribly original release, but I think that'll be fixed with time: all the performers are capable, and the progressive leanings that you hear in the music bode well for the future. It's merely a matter of time and practice before they break out into a more popular audience.

While not my favorite style of music, Arapacis' debut LP is a solid representation of such a fusion that would appeal to many fans of such. Might as well give it a go and see for yourself.


AraPacis's page ~ So Many Leapers ~ Reviews archives

Encyclopaedia Metallum - Reviews for AraPacis - So Many Leapers

http://www.metal-archives.com/review.php?id=119408#29088

 

 Aparacis, un groupe de Montréal, prends alors la relève, avec une chanteuse au front. Triste nouvelle pour elle, apparemment il n'y a pas que sa jupe rose nanane avec des têtes de morts qui ne fait pas la job.. La musique reste dans le niveau potable, mais le style de musique métal gothique progressif a calmé les ardeurs de plusieurs.

Par Katy Maloney, MetalUniverse.net

http://www.metaluniverse.net/dossiersspeciaux_070309_anvil.php

 

ARAPACIS: Canadian Old School Rockers On Their Quest For The Roman Empire

 

 

ARAPACIS, the name didn’t ring a bell to us at first. Things can change very quickly though, because once we heard their debut album "So Many Leapers", we were truly convinced of their strength and craftmanship. ARAPACIS blends traditional old school hard rock in their sound with some modern influences. And especially that traditional sound caught our eye right away. Jerry Fielden is the most important man within the band. He started his career in the very late sixties/early seventies, which we can definately hear back in their sound. Besides ARAPACIS, he has released three solo albums already. This man breathes music, and his influences range from Vivaldi to VICIOUS RUMORS and from EVANESCENCE to FRANK MARINO. Now that's somebody, we’d really like to talk to. Besides being a living legend in the Toronto music scene, he is also a very fast replier to our requests on more information about his music and this band. Jerry explained, a lot has happened after the interview had been done. In the meantime, Shelsey Jarvis has left ARAPACIS, and also drummer Ulysse Bergeron is no longer part of the band. Shelsey has shortly been replaced by Sierra Hudson on lead vocals (who was only with them for a couple of weeks, so the search for a new suitable singer is going on again!) and Franck Jacques on drums. All other information you need to know about this promising band from Montreal, Canada, can be read in the interview below or by visiting their website at: http://www.arapacis.com. Our sincere thanks go out to all (past and present) band members for answering our questions and especially to Jerry for keeping us updated about ARAPACIS. In closing, we would like to wish Jerry lots of luck in finding a suitable (and long-lasting) singer, which seems to be an impossible and hard task for this band.

When did ARAPACIS start out as a band and how did you meet up with each other?
Jerry: “I started this band in 2003, when after having done three solo albums after a ten year break from music to have a family. I felt it was time to start playing with some real people again. I started it with people from my past seventies bands: Pierre Ryan (keyboards) from LANDSLIDE, and Kirk Bennett (bass) from BLADE, and some drummers our age, who didn’t stick very long. After several changes, the band gelled with the people, that played on the album: Ray Tessier on drums (before Ulysse Bergeron joined), Gab Boudreault on bass and Shelsey on vocals. I met them all through ads.”
Shelsey: “Jerry and I found eachother on the My Space classifieds. I responded to an ad looking for a ‘powerful Montreal-area female singer’ and I was like: “Ooh, that's me!”
Gab: “Jerry formed the band in 2003. When the band needed a musician, auditions were done. That’s how I joined the band in April 2005, as Ray did at the time. Five months later Shelsey joined also the band and Franck came in recently. Usually, we meet the new members at first on the internet, and then at the audition.”
Franck: “When the band chose Ulysse, Jerry had an email from me, and when Ulysse quit, I was called for an audition and met Gab and Jerry. Shelsey had just quit and I was a bit disappointed, but Jerry sang well and gave me some ideas where to put my drum licks in the new tunes with his vocals. That very evening I was happily confirmed as the band’s new drummer.”

Did any of the band members play in other bands, before they joined ARAPACIS?
Jerry: “I played in the GLOW BEATS (sixties), TIME PERCEPTION, LANDSLIDE, BLADE, NIGHTWATCH (seventies) and STEELFIELD and RISER (eighties).”
Shelsey: “I didn't play in any other bands, but I did a lot of solo work.”
Gab: “All of us played in other bands. I personally played for a while with close friends in my home town in a band called POLTERGEIST.”
Franck: “I founded several bands, including cover bands. We might have not been successful, but I had a lot of fun playing with them. We did eight short shows all in all.”

And did you record anything with these bands?
Jerry: “RISER recorded a couple of 45s that never came out, because the record company folded.”
Shelsey: “I recorded a couple of demos, but nothing too big.”
Gab: “POLTERGEIST didn’t record any albums, but some of the other guys formed other bands that did.”
Franck: “Yes, I recorded a three-song demo with one of them for a publicity spot.”

Please introduce yourself to us.
Jerry: “I am Jerry Fielden 49/male, born May 6, 1957, playing guitar since 1969. I also do guitar synth and back vocals. I’m a teacher (Multimedia at McGill university, English and French private courses), historian and librarian.”
Shelsey: “I sing and play the occasional keyboard or second guitar.”
Gab: “My name is Gab. I come from the Saguenay region in Quebec, Canada. I started playing music at an early age, but more seriously at age fifteen. I’ve played drums in a band called STEEL IN ROCK and then I played guitar and keyboards in POLTERGEIST. I still play guitar, but in a band I prefer to play bass. It’s like half the way between drums and guitar.”
Franck: “I’m a self-taught drummer, born in the village of Contrecoeur in 1983 from a mechanic father and seamstress mother. So my roots are in maintenance and all. I work on construction, on modification and installation of fixed machinery or building structures. Music is the hobby, that has taken the most time in my life. At least an hour a day for the last twelve years!”

Why did drummer Ulysse leave the band?
Jerry: “He didn’t have time anymore and has been replaced by Franck Jacques, a drummer in the same progressive metal vein [Neil Peart (RUSH), Mike Portnoy (DREAM THEATER)].”

And why did Elaine Huot, your previous singer, leave ARAPACIS?
Jerry: “She was tired and needed a break and also wanted to start an EVANESCENCE tribute band.”
Gab: “Elaine wanted to achieve her own personnal goals, and do smoother music. She did a great job and we’re still in contact with her. She worked on the album graphics and sometimes do posters for us.”

Is she still busy in the music scene as far as you know?
Jerry: “She has talked to me recently and is starting to want to sing again, although she is very busy with her work. She is a graphics artist by profession, has her own company, and has done our CDs layout and all. Her My Space website is at http://www.myspace.com/elainehuot.“

How long did she sing with the band?
Jerry: “She sang for about four months and did two shows with us.”

Who came up with the name ARAPACIS and what does it mean?
Jerry: “I did and it is the name of a famous monument in Rome, the Ara Pacis (Altar of Peace), which still exists to this day and was built by the emperor Augustus in 9 BCE. A beautiful piece of architecture, in which you can see amazing bas-reliefs of the Imperial family and all.”

Why did you pick this particular name?
Jerry: “Because of my love for ancient Rome. I went to Italy twice as a child and visited Rome, Pompeii, and so on. I fell in love with things Roman. I also did my BA in History (with a minor in Music Technology) and specialized in ancient Roman History.”

How would you describe the music of the band?
Jerry: “It is a mix of old and new. There is classic metal in there, stoner/doom, blues-rock, hard rock, pop rock, prog rock/metal and nu-metal. We have been described as gothic, but that is really not a major element.”
Shelsey: “We have had many conversations about what genre we fit into with not much success. I guess you could say female-fronted metal/hard rock to describe in the simplest way.”
Gab: “Heavy, progressive, unpredictable; like a dinosaur walking on a slippery floor."

 

Franck, what makes ARAPACIS different from other bands?
Franck: “Their sense of evolutionary and the progressive feel of the members (the rhythmic and melodic union and the universalistic lyrics); a great potential!”

You’re the latest recruit, after Ulysse and Shelsey left the band earlier. What’s it like being a member of ARAPACIS so far?
Franck: “To be a member of ARAPACIS is to be 25% of a 100% comprising four musicians, that have drive and sound.”

Who can we see as the main influences of the band, and maybe you can be a bit more specific about the influences of each band member individually?
Jerry: “Mine are definitely old metal, doom and prog, as well as blues and blues rock. In this band, you will hear some of my influences like BLACK SABBATH, DEEP PURPLE, RUSH, ROBIN TROWER, CANDLEMASS, HEART, LACUNA COIL, IRON MAIDEN, FRANK MARINO, MOUNTAIN, JETHRO TULL, KING CRIMSON, DREAM THEATER, and a little bit of gothic bands like LEAVES’ EYES, EVANESCENCE, etc.”
Shelsey: “Vocally, my main influence is MARIAH CAREY. I now sing a style, that's more rock, but that was more influenced by the music we make than anything else. My writing is influenced by bands like DEFTONES, THREE DAYS GRACE, ATREYU, AS I LAY DYING, and AVENGED SEVENFOLD.”
Gab: “The main influences of the band are RUSH, BLACK SABBATH, IRON MAIDEN, DREAM THEATRE and LACUNA COIL. We can had a little HEART and EVANESCENCE, too. Personally, my influences come from various bassists from bands like BLACK SABBATH, IRON MAIDEN, RAGE AGAINST THE MACHINE, QUEEN, LED ZEPPELIN, OZZY OSBOURNE, and a man called Paul Williams, who used to compose music for movies.”
Franck: “My basic influences are Neil Peart (RUSH; psychedelic jazz-rock), Carter BeauFord (folk-latin world music), Mike Portnoy (DREAM THEATER; all around progressive metal) and many others with styles varying from blues to pop, at the start a bit of everything and more to come.”

Who set out the musical direction, or was it a band’s decision to play heavy metal?
Jerry: “I think, it just happened with no conscious decision. Gab and I are quite old school metal, Franck is really prog and Shelsey is really up on the new styles, so it ends up being a mix of it all.”
Shelsey: “Jerry founded the band and he already had his own style before the rest of us joined. Now that Gab and I also write, our style has really evolved into something we can be proud of.”
Gab: “The musical direction of the band comes by itself. It depends on who plays in the band, when you ask the question. ARAPACIS had a quite different sound two years ago, when all the members were other musicians.“

 

Let’s have a closer look at your live shows now. Which other important bands did you share the stage already?
Jerry: “ANVIL and RAVEN, as well as HOWLING SYN. We’re hoping for some more big shows to share with name bands later this year.”
Gab: “We actually shared the stage with ANVIL twice.”

Do you stick to your own written material when playing live, or do you also throw in an occasional cover song sometimes? If yes, please mention which cover song(s) you play....
Jerry: “We play just about all originals now, but have done “Smoke On The Water” by DEEP PURPLE, “Cars” by GARY NUMAN, “Celebrity Skin” by HOLE and “Alone” by HEART.”
Shelsey: “We used to throw in some covers, but we haven't done that for a while. Mainly because we just haven't gotten around to practicing those, we're concentrating on the originals.”
Gab: “We usually strictly play our own material, but we occasionally play “Celebrity Skin” by HOLE, “Cars” by GARY NUMAN and “Smoke On The Water” by DEEP PURPLE.”

What can people expect when they come and see an ARAPACIS live gig?
Jerry: “I use a Roland Gr-09 guitar synth, mostly as an octave below thing to beef up my guitar sound and the odd synth and organ sound. I used to do a lot more sounds with it, but got tired of the “pedal dance” and now just use a few basic sounds as a complement and not to distract from the main guitar sound. My Godin xtSA (I am an official Godin guitar endorser) also has piezo pickups, so I use that acoustic sound too, for instance in “Theocracy”. As for guitar pedals, I use a small Digitech RP80, really cheap, but it gets the job done. I have chorus on all the time, and some EQ and overdrive and sometimes use a bit of echo in my guitar solo, but that’s it. I also have a couple of Fender Strats, but prefer the Godin above all. I also use 50 watt Marshalls as amps, both of them AVT50s, one is a combo for smaller shows and the other a half stack for larger venues. Or I could use them together in stereo for a really large place.”
Shelsey: “I really try my best to give the audience what they're looking for gimmick-free. I just like to rock out, no special lights or anything. I do like to go and dance with the audience though. When the crowd gets thick enough, I'll crowd-surf.”
Gab: “We use no effect at all. Right to basics: music, energy, hard work and sweat! The rest comes from the crowd.”

What has been your biggest show so far?
Jerry: “I think both shows we played with ANVIL (including the one with RAVEN).”
Shelsey: “I'd say the wedding of Ivan Hurd (ANVIL) and Tiziana Arragoni, that was a really important show contact-wise and was also one of the most fun shows I've ever done.”
Gab: “Every show we did at a place, called Café Chaos was awesome! Great sound, great fans, great fun!”

What’s the metal scene like in Montreal area nowadays? Are there many clubs where you can play live?
Jerry: “I think we have a lot of choice. From the smaller venues like Café Chaos all the way to big places like the Spectrum and the Bell Center of course.”
Shelsey: “There is an endless string of clubs to play live here. Montreal is known for its music. I've seen some really kick-ass metal bands playing in small clubs around here.”
Gab: “There’s a lot of them. Sometimes we have to play at 7:00 on a Thursday evening, because weekend are for dance music and stuff. In these cases, it’s hard to bring people out at our shows. Well, it’s part of the deal.”

Which other well-known bands come from this area, and are there any new talented bands, besides ARAPACIS, that are well worth checking out in your opinion for all the metalheads here in Europe?
Jerry: “There are so many good Montreal metal bands. For female-fronted stuff I would say HOWLING SYN, KARMADOZA and TRANCE OF MINE.”
Shelsey: “I really like TEMPEST. I know these guys are from Toronto, but BRAINTOY is also really an amazing band.”
Gab: “Well, SIMPLE PLAN is a well-known band from Montreal, but they play pop-punk music. Back in the 80’s, VOIVOD had a big success (they come from Saguenay region). They just lost their guitarist, who died last year of cancer. Here is some of the new bands that you metalheads should check out: ODDYSSEY, SPEAKERVOICE and TEMPEST.”

Have you ever played outside of Canada, and if yes, where and when was that?
Jerry: “No, but we are possibly playing Europe and Venezuela later this year or next year, to be confirmed.”
Shelsey: “Not with this band. I did a couple of solo gigs, when I lived in New York a couple years ago.”
Gab: “Not yet! Soon, I hope!”

Are there any gigs that you have very fond memories about?
Jerry: “Both gigs with ANVIL, also our CD launch gigs and a couple of the gigs at Café Chaos (I just love the place!).”
Shelsey: “My first time singing a solo show in a restaurant back home, and our show at the ANVIL wedding.”
Gab: “We did a few trips on the road, and each time it was memorable. The CD launch was also very intense because a lot of our families and friends were there.”

 

I bet, there must have been some rather hilarious or funny moments, while being on the road or on stage. Maybe you’d like to share some of these magical moments with our readers here?
Jerry: “Well, when the four of us get in a car, it’s a laugh riot all the way. And Shelsey wins all the burp contests! Another time we met one of our e-team members in Toronto and had supper with her and she told me to warn the band, that she was a bit weird. I did, but that night, we really out-weirded her. She needed a beer badly after that - ha ha. One of the cutest moments was, when we played with ANVIL and RAVEN and this little girl fell in love with the band, so we treated her like a real princess and made her first concert ever very magical by sitting at her table with her cousin and mom and signing her t-shirt and other things for her and just chilling. She is now our fan club VP.”
Shelsey: “After a show at a festival in Ontario, there was a lake near the stage, so Ulysse and I just jumped right in after. That was awesome, and there's always funny stuff that happens, when you put smelly musicians in a tent to camp out for the weekend. Hehehe!”
Gab: “We laughed a lot together last time we went on road. Especially, when we had to set up the tent in the dark at 10:00 PM and try to sleep in the cold. We could have been angry at the situation, but we just started laughing out loud, when Ulysse said “Well, that’s not how I imagined being a rock star!”.“

How many times do you rehearse and where's your rehearsal space?
Jerry: “We rehearse two or three times a week. It’s in a house in the Montreal area.”

Is the fact, that you have a female singer in your ranks as an advantage or a disadvantage, or doesn’t it make any difference nowadays in your opinion?
Jerry: “To me, it’s neither. It’s just something I’ve always loved ever since I first discovered HEART in the seventies, so I’ve had female-fronted bands since those days.”
Shelsey: “I think, if anything it's an advantage, because people are curious to see if it's actually any good.”
Gab: “I also think it’s an advantage, because it makes us different, although not unique. Also the fact, that Shelsey is quite attractive is certainly an advantage for the band.”

If you could go on a world tour with any band of your choice, who would you pick and why this particular band?
Jerry: “LACUNA COIL or DEEP PURPLE. I just love them so much and our style fits in well with either.”
Shelsey: “Definitely LACUNA COIL! I love their music, and the one time I got to meet them, they were just really down-to-earth cool people.”
Gab: “I’d say IRON MAIDEN, because they have a lot of experience and professionalism. Plus they seem to be very friendly!”
Franck: “It would be very ambitious to play with a band like RUSH or DREAM THEATER, but I’d be ready for sure to do it and face their adoring crowds!”

What are the reactions like towards “So Many Leapers” so far?
Jerry: “We’ve had some good reviews and also more critical ones, but all of them have provided valuable insight into what to do for our second album. Especially as far as sound goes.”
Shelsey: “For the most part good, but like any album, it's gotten some less than stellar opinions. I think, it was the best album we could have made at the time. We learned a lot from that experience and our next album will be better in a lot of ways.”
Gab: “This album lets no one indifferent. Some people like it, and some don’t, but the ones who love it, loves it!”

Can you please explain the title of this album to us?
Jerry: “So Many Leapers” is the title song and is a warning to people not to follow leaders blindly, especially political, corporate, religious and military leaders. Just don’t leap off that cliff, because X tells you to. There is too much of that stuff going on in this world unfortunately. This is a theme I use often, as in “Soldier of Fun”, “Theocracy”, etc.”

>b>Do you also get negative reactions and how do you deal with those in general? Do you try to learn from critics or do you rather like to forget about it?
Jerry: “Oh no, unless it’s an actual personal insult, we learn from all reviews. We don’t take anything lightly and try to see how we can become better. Of course, if the review is biased, because the person does not like the style in the first place, there is not much you can do. But if someone talks about making it sound better and all, it’s usually very informative for us.”
Shelsey: “Well, so far the negative criticism we've gotten, has been given in such a way, that I can actually learn from it. I knew coming into this business it's not all candy and flowers, so I just have to think about it in such a way, that allows me to improve on whatever they're commenting on.”
Gab: “We always pay attention on negative critics, and they’re always welcome, as well as they’re constructive. I think, forgetting about the bad reactions would be an error, because the fans are the ones you play for. Even if we always play for our own pleasure first. I mean, if you pet a dog and the dog bites you, that means «stop!»”

Are you working on any new material yet, and what can people expect from these new songs?
Jerry: “Yes we are, and I am still writing some stuff alone, but expect a lot more collaboration from Shelsey and Gab as they are writing some neat stuff, too! And we are writing songs together as well. We even had a set of lyrics written by Bonnie McKannon, our fifteen year old fan club president, who is very talented. It's called “The Green Fairy”. That song is in quite the stoner/doom style.”
Shelsey: “We have lots of new material. People can expect something totally different, now that we have three writers in the band instead of just Jerry. My influences are completely different than Jerry and Gab's.”
Gab: “We constantly work on new material. It’s becoming heavier now – not faster, but just more intense. Shelsey’s voice is reaching more and power, and you can expect some groals.”

Who writes the lyrics for the band, and what are they about?
Jerry: “Both Shelsey and I are writing lyrics at the moment. Gab can write pretty good lyrics too. I will comment on my own writing and let the others comment on theirs. I like to write about current themes like war, peace and yes, love! (I’m an old hippie, I guess), and also timeless images and poetical themes. I believe in bettering yourself and try to write inspirational songs as well.”
Shelsey: “Jerry, Gab and I all write, and for my part they're usually about dark feelings. I'm not really a dark person, but whenever I write a happy song it just sounds corny, so I stick to the heavier stuff.”

Where do you get your inspiration from, when you write a new song?
Jerry: “It’s almost like automatic writing. It sometimes appears out of nowhere. It usually starts with a riff then another, normally first a chorus riff, then a verse riff, then the bridge(s) come along. Inspiration could be current events, a memory, or just something out of nowhere.”
Shelsey: “For me, since like I said, I'm not a dark person, I tend to imagine another person's situation and put on paper the things they might be thinking.”
Gab: “Most of the songs go into an imaginary world with opposition between war and peace, love and hate, life and death, and so on. But there’s always a real meaning, opposition and contrast in words as well as into the music. I think that could be a good way, we’d like to describe ARAPACIS.”

Can you tell us a bit more about how you get to work, when writing new material? Do you start jamming, or do you write all the lyrics first, or do you work out the music first and then the lyrics. How’s a new song born, most of the time?
Jerry: “For me, the music usually comes first although I have written lyrics first as well. Once I have a good set of riffs or chords, I will sit down and take five or ten minutes to write the lyrics’ first draft. We will then as a band try to fit it all together, then I may redo some of the lyrics or music accordingly.”
Shelsey: “It's different every time, really. Some songs we just sit down and play some notes until they resemble a song. Sometimes the lyrics come first.”
Gab: “We usually start out of one single riff, and then we develop a song from there. Like a tree and his branches. Lyrics usually come after.”

 

Gab, can you tell us a bit more about POLTERGEIST. (What a great name for a band, by the way!) What kind of music did you play?
Gab: “POLTERGEIST was a band I played with back in 1996 with a bunch of friends. We played only covers, mostly from IRON MAIDEN, DIO and BLACK SABBATH. We used to play in my parents’ basement for hours, drinking beer and jamming to the dawn. We had so much fun! We still play together once in a while.”

You also played drums, keyboards, guitar, etc. What instrument do you like to play most?
Gab: “Like I said, I prefer to play bass with a band, because I have the thrill of the rhythm section like when I played the drums. I can also feel the music intensely, as bass is a melodic instrument, too.”

 

Jerry, you jammed with, and learned the ropes from FRANK and VINCE MARINO. What was it like working with these super heroes?
Jerry: “Well, I met Frank Marino at one of his MAHOGANY RUSH shows, when I was fifteen. He showed me a few things and later on he would come in to Steve’s Music Store, where I worked and we would grab a couple of guitars and he showed me more licks… He was a real inspiration! And for Vince… We hung around, usually had some beers at Night Magic in Old Montreal back in the late seventies and decided to make a band. Unfortunately, it was quite brief as distances were too great for rehearsal purposes. But we did get some jamming in and he is a truly great player, inspired by the likes of JOHNNY WINTER and CARLOS SANTANA.”

We know, that FRANK MARINO is still around these days, but have you got any idea of what happened to Vince?
Jerry: “Vince is doing a lot of sound engineering. I haven’t heard from him for a couple of years now, but he’s doing very well.”

I also read that you played guitar for Miranie Morissette. Is she the sister of Alanis? And what kind of music does she make?
Jerry: “Miranie was a Quebec French Pop Star with blues inspirations. She had a hit with “Ne m’attends pas” on Quebec radio in 2005. She is not related to Alanis, although she does admire her. You can find a memorial page to our band, the “Miranie Morissette Band” at http://www.miraniemorissette.net.”

How did you get in touch with Ian Gillan (DEEP PURPLE), for whom you do some translation work for his personal website, and what’s it like working with him?
Jerry: “I am a huge DEEP PURPLE fan and emailed him on his site to ask for an autograph. He sent me a picture signed by all the members of DEEP PURPLE. He had noticed, that I was from Montreal and asked me if I spoke French. I replied that I did, so he asked me if I would like to translate his web pages, and of course I accepted immediately. He is one of the classiest persons in the business and always has a lot of respect and friendliness for his translators. He treats us very very well, and I’ve noticed the same class with the way he treats his fans at meet and greets. Actually, all of DEEP PURPLE have that same class.”

My favorite guitar player is RANDY RHOADS. In your list of favorite guitar players I saw a lot of great axe heroes ranging from JOHNNY WINTER to STEVE VAI to DAVID GILMOUR. But most of all I was pleasantly surprised to find the name of THE GREAT KAT there. What makes her playing so interesting or special to you?
Jerry: “Well, I saw a video of her, that she sent me to review for my Prog Rock Place site and looking beyond all the blood and gore, there is an extremely talented woman there, both on guitar and violin. And by the way, I have had the luck to meet Randy around 1982, when he came to play Toronto with OZZY.”

 

Shelsey, you went to New York to gain some experience as a musician. What was that time like for you and why did you chose this particular city to play there as a solo artist?
Shelsey: “Well, I lived in Philadelphia for a while as a nanny. I got sick of going back and forth to NYC on my days off, so I just moved there thinking it was the best place to persue music, because I used to sing R&B. I sang shows here and there and recorded a bit, but I felt like I was doing much more waitressing than singing, so I decided this wasn't the best route for me.”

Why did you return to Canada after a while?
Shelsey: “I was tired of living in the US, not having health care and I had been hearing how much Montreal is known for having good bands. I wanted to join a band and try it this way, and I'm so glad I did.”

Did your New York trip give you the satisfaction that you wanted, or was it a huge disappointment?
Shelsey: “I don't consider anything in my life a disappointment, because there's always a positive side. In this case, it taught me to not put too much faith in the promises industry people make, and it gave me some experience. I also met some amazing people.”

What made you decide to make this giant step, for such a young lady?
Shelsey: “I moved out of my house when I was eighteen and have just moved around so many times, that it didn't seem like a big deal to move to New York. In my eyes, I was twenty and knew everything - haha!”

On your list of inspiration, I see a lot of Dutch bands like AFTER FOREVER, WITHIN TEMPTATION and to my big surprise also a more lesser well-known band like ASRAI (who are friends of ours). What do you like in their music and how did you get to know about ASRAI in particular?
Shelsey: “Actually, when I first joined the band, I didn't listen to metal music at all, so Jerry made me an mp3 CD of music, he thought I should hear. ASRAI was on it, and I just loved them. I thought they had such a unique sound and of all the music on that CD, they were one of the best bands in my opinion. AFTER FOREVER and WITHIN TEMPTATION were also on that CD. Floor Janssen of AFTER FOREVER just has one of the most incredible voices I've ever heard, and some WITHIN TEMPTATION songs (like “Memories” and “Ice Queen”) just gave me chills and the vocals are amazing!”

You are a lot younger than Jerry. He could almost have been your dad (sorry Jerry!!). Do you learn a lot from his long musical experience or do you try to do things the way you want them to go?
Shelsey: “Both, really. I have taken a few pages from his book, but I was actually influenced a lot by Ray as well, when he was with us. He introduced me to a lot of newer bands that I've really gotten into, so it's a mix between the old and the new.”

We are an online magazine, totally dedicated to the female musicians in the world of (hard) rock and (heavy) metal. Do you think that ladies still need this attention that we give them, or do you feel that lady rockers already get all the recognition they deserve so much?
Shelsey: “It depends on who you ask. I've heard of plenty of people who think there is no place in metal for women. I obviously don't share their opinion, and while I would be pleasantly surprised if they changed their mind, I don't expect them to. Since metal is definitely male-dominated, I think it's important to give the ladies a fighting chance. Kind of like giving Canadian bands a chance as opposed to say, an American band which dominates most of popular music.”

Did you get to see Elaine Huot perform with the band, and what did you think of her singing?
Shelsey: “I never saw her live with ARAPACIS, although I did hear her on a CD. I think, she has a very nice voice, and is a beautiful pianist from what I hear.”

What do you do different than her in your opinion? If you haven’t seen her play with the band, maybe Jerry can answer this question for us.
Jerry: “Elaine had a softer voice, very beautiful and ethereal. Shelsey has more power and different influences than Elaine, but just as much beauty in her voice.”
Shelsey: “Our styles are quite different. She has a very nice soft voice, and I kind of tear into a song as if it was my birthday present.”

We are based in The Netherlands (Holland). What else do you know about our country, besides the fact that we have colorful tulips, delicious cheese and beautiful windmills?
Jerry: “WITHIN TEMPTATION, AFTER FOREVER, ASRAI, KREZIP - and I also have personal friends from My Space in Holland. I would love to visit Amsterdam, Rotterdam and the countryside, too.”
Shelsey: “To be honest, I mostly know that you produce great metal musicians! Other than that, I'm out.”
Gab: “My girlfriend visited Amsterdam once and she told how wonderful it was, so I’d like to be there at least once in my lifetime! Also, Heineken is one of my favourite beers!”

 

Do you have any goals set for ARAPACIS?
Jerry: “To play more provinces of Canada this year and to play Europe is a very important goal of ours.”
Shelsey: “Mainly just to build our fanbase slowly, but surely there are certain bands I'd like to play with in certain venues.”
Gab: “Our next goal is to record our second album, then a big tour would be great!”
Franck: “I hope, that ARAPACIS make the charts, but from day to day the band is evolving and I ask no more than that.”

Do you have any hobbies or interests besides playing music in a metal band?
Jerry: “I like long walks (preferably with the company of a friend or one of my sons), reading, photography (see http://www.jerryfielden.com/photo.html), traveling, etc.”
Shelsey: “Many! I'm currently studying audio engineering here in Montreal. I love traveling, languages, drawing, swimming and snowboarding.... Lots of things!”
Gab: “I’m a former archaeologist, but right now I work for the Canadian SPCA (I love animals so much!). I also practice photography.”
Franck: “It’s a mystery!”

How important is the internet for a band like ARAPACIS?
Jerry: “Immensely, most of our fan base has discovered us through the internet!”
Shelsey: “Very!! We've gained so many fans through the net and even the ones, who come to our shows usually look up our My Space after! It's really a valuable tool.”
Gab: “I’d say 95% of the band’s promotion is done on the internet, so it gives you an idea of how important it is for us!”

Are there any interesting gigs on your calendar for the upcoming months?
Jerry: “We are opening the Heavy Metal Music Association of Canada Fund Raiser on Oct. 12, 2006. And then we might be playing some shows in Europe. We are still working on that.”
Shelsey: “We have the HMMAC (Heavy Metal music Association of Canada) fundraiser in October, which I'm very much looking forward to. There'll be an amazing Montreal band there, but I'm not going to say which one, because they told me they haven't announced yet that they're playing.”
Gab: “We’re playing for the in a big festival in Montreal next October to raise money for the Heavy Metal Association of Canada. That should be great!”

Are there any plans for the band to come over to Europe as well in the (near) future, or are you only focusing on Canada and the US? After all, there's a large territory out there that is open for discovery!
Jerry: “Definitely lots of places to play in Canada first, then Europe is our other primary goal, as per above.”
Shelsey: “I would actually love to come to Europe as soon as possible. I've heard from other bands that Europe is so open to new music, and the audiences are great! I also just want the experience.”
Gab: “We’d like to come to Europe for sure. We just wait for a good opportunity to show up!”

What’s your favorite ARAPACIS song and why?
Jerry: “On the CD, probably “Time’s Has Been”. These days, I love “The Green Fairy”, because of its sheer heaviness and hypnotic feel. And also “Theocracy” just kicks!
Shelsey: “I'd have to say “Soldier Of Fun”. For me, it's a great mix of all of our styles, and it's the first song I co-wrote with the band.” Gab: “My favourite song is not on the album. It’s called “Theocracy” and it should be on the second album. This song has a huge energy and fury. That’s why we always close our shows with it.”
Franck: “It is “Soldier Of Fun”, that strangely enough attracted me at first. The lyrics are troubling, because Jerry and Shelsey wrote the song together (was she already announcing her departure?). Nice harmony, that renders the emotions really well.”

We still love a big deal of Canadian metal bands from the eighties. And I think, that Jerry might be able to give us a little update about some of the names that were ultra hot in the eighties. Maybe you can tell us a bit more about members of APRIL WINE, HEADPINS, MAX WEBSTER, FRANK SODA AND THE IMPS, GODDO, BACHMAN TURNER OVERDRIVE, TRIUMPH, SANTERS, ANVIL (we know them quite well), PAT TRAVERS, FRANK MARINO, HELIX, EXCITER (also friends of ours), DALBELLO and LEE AARON. Any interesting or funny information and updates are welcome.
Jerry: “Well, let’s start with APRIL WINE. I saw them open for DEEP PURPLE last year in Ottawa. They were as great as ever and played all their classics. Had a short talk with bass player Jim Clench, too. They all seemed in a good mood. In the early eighties, Kim Mitchell of MAX WEBSTER actually walked into a bar in Toronto where we (RISER) were opening for his former MAX WEBSTER bandmates Terry Watkinson and Gary McCracken from EXPRESSO, an experimental prog band. We were female-fronted at the time and he enjoyed our show tremendously! I also partied with Gino Scarpelli of GODDO and Greg Godovitz, too (although he doesn’t remember) back in the late seventies-early eighties. As for ANVIL, I shot two of their albums (“Past and Present” and “Plenty of Power”) and we are good friends indeed, and we have played with them twice. HELIX I met once and I shot some backstage stuff and LEE AARON, of course, was one of my favorite models. I took shots of her, whenever I could! Even in 2001, when she came to Montreal to play with her jazz band, I shot some pretty neat pics of her! Now I met other people from the scene like Toronto, HONEYMOON SUITE, LISA PRICE, and jammed with guys like JEFF HEALEY, TONY SPRINGER, etc. too.”

What are the future plans of ARAPACIS?
Jerry: “We are writing material for our second album and this will be much more of a group writing effort than the first and we hope to get more studio time in to make a better production! And also touring Europe is our next biggest priority after Canada.”
Shelsey: “We're working on material for the next album, which we'll be starting hopefully in the near future, and we're just playing shows and feeling the slow burn!”
Gab: “Work hard on the new stuff, record the second album and go kick asses on the road!”

You already mentioned playing at the wedding party of Ivan Hurd (ANVIL). Please tell us a bit more about this special event?
Jerry: “This was so wonderful! Ivan and Tiziana (who is ANVIL’s manager) were married on a dock by the lake there, and while Ivan was standing on the dock, Tiziana arrived on a boat! It was great! So at the reception at the town hall we played the opening set and made some new fans (see above q. 22), including a couple of young girls, that adored the band and we sat with them and one of the girl’s mothers and treated them like super fans all night, they were tickled pink and actually got the crowd dancing for us! We also made the bride and groom dance for the first time ever on our slower song; “Histories”. That was a touching moment.”
Shelsey: “That was one of the most amazing shows I've ever done! Who would have thought at a wedding, you'd get people aged twelve until sixty up and dancing? We had planned to play only fast tunes, but at the last minute we decided to play a very mellow beautiful version of “Histories”. We got the newlyweds up and dancing, along with just about everyone else, and I wanted to cry up there on stage because it was just a really beautiful moment. Of course we had to rock out the rest of the set though!”
Gab: “Yes, that was awesome! We played a set just before ANVIL, and we met a lot of great people.”

Which other bands were there? I believe that my good friends of RAVEN were there as well?
Jerry: RAVEN played and ANVIL as well, and some other people jammed, too. It was a lot of fun!
Shelsey: They were! It was really an honour to meet them. They were even better than I could have hoped for! ANVIL also did a set near the end, and there was a quick jam session at one point as well.
Gab: Yes, they were. They did a jam with ANVIL’s drummer. God, that was amazing!

Is there anything you’d like to add to this interview? Maybe there is something we forgot to mention here that is essential for the story of ARAPACIS so far?
Jerry: “I think that we are striving to make a balance between several styles of music and that’s why we have such a good time playing with just about any band we share a stage with as our styles just seem to mesh with so many others. But we like to keep it metal as much as we can.”

Do you have any personal messages for our readers?
Jerry: “I want to thank each and every one of you and tell you, that if you ever come to see us, don’t hesitate to come say ‘hello’. We love talking to our fans!”
Shelsey: “Mainly just thank you for checking us out. We appreciate it so much, when people come up to us after shows, or send us messages or whatever! And also thank you for doing this interview!”

The last words are for ARAPACIS....
Jerry: “Thank you to all our fans, our fan club, our eteam and also our production team, our families, the readers of Metal Maidens and of course to you; Toine and Rita!”
Shelsey: “See you on tour!”
Gab: “Thanks to all of you!”

 

Website: www.arapacis.com

Also visit the band at My Space: http://myspace.com/arapacismtl

 

copyright: METAL MAIDENS
interview by: Toine van Poorten, September and December 2006.

http://www.metalmaidens.com/arapacis.htm

 

 

AraPacis Critique - Show Hémisphère Gauche 24 août 2006

L'Hémisphère Gauche...
C'était la première fois que je mettais les pieds dans cette salle pourtant bien connue dans la scène métal. Mes impressions? Je m'attendais vraiment à plus grand! Toutefois, c'est vraiment une salle sympathique, très accueillante et, surtout, elle a de la gueule. Pour des petits concerts, c'est génial.

C'était d'ailleurs ce qui m'amenait à l'Hémisphère gauche ce soir là, un concert. (Tiens donc, vous êtes surpris!) Il était petit lui aussi, du point de vue des groupes (trois formations émergeantes se donnèrent pour nous ce soir là), mais aussi dans le nombre d'assistants, malheureusement. Nous devions être au grand maximum 25 dans la place et j'ai compté les musiciens. Pas facile de se faire connaître!

Malgré tout, fidèle à moi-même, je suis allé me placer devant la scène pour observer le début du concert. La soirée s'ouvrait par une formation jeune, mais à l'allure très professionnelle. Arapacis n'existe que depuis quelques années mais ils n'ont pas chaumés depuis ce temps. Ils comptent déjà plusieurs dizaines de concerts à leur actif et on peut le voir à la qualité de leur performance sur scène. Ils nous offrent un métal/hard rock grandement inspiré de la vieille époque des Black Sabbath, Rainbow et compagnie. Ils nous présentèrent d'ailleurs une excellente reprise de Smoke on the water, de Deep Purple, un groupe dont l'influence est clairement présente chez Arapacis. C'est un style qui est rarement exploité dans la scène locale et que j'acclame avec joie. Leurs compositions étaient très intéressantes et rudement bien exécutées sur scène. La très jolie et talentueuse vocaliste du groupe, Shelsey Jarvis, possède une voix superbe, puissante et claire, tout en gardant un timbre naturel qui a grandement su me plaire. Elle est, de plus, très charismatique sur scène et semble capable de bien animer la foule (s'il y en avait eu une, je suis sûr qu'elle aurait bien réagi!). Jerry Fielden, seul guitariste du groupe, assure très bien sa partie avec un style très intéressant à la guitare, qui un mélange de l'attitude des vieux bands hard rock et de la technique des guitar heroes. En résumé, ce fut une excellente performance d'un groupe dont l'originalité pourra vite les faire remarquer au sein de notre scène trop centré sur le métal extrême. Mon coup de cœur de la soirée!

L'Édition Métallique 5 décembre 2006, Revue du concert de Praesentia, The Tempest et AraPacis
 

AraPacis review - Space Junkies Magazine August 2006

 

ARAPACIS
"So Many Leapers"

http://www.arapacis.com

In the past they have received good and bad feedback as all bands do, but nothing got them down. ARAPACIS released their album "So Many Leapers" this year (2006), and did a great job. The band consisted of Jerry (guitar), Shelsey (vocals/keyboard), Gab (bass), and of course Ray (drummer). Since the release the band has been improving by the day with their new drummer Ulysse. The album "So Many Leapers" has great lyrics and energy behind it, with a strong passion for the music that shows even more in life than listening at home. My personal favorite song from the album is "Soldier of Fun." Shelsey has a very strong voice and is amazingly talented on the piano that showed in the song, while the lyrics showed such a strong hidden meaning. Though a single song on the album ("Tale Spin") did sound typically metal (though it was still amazing). The whole album had a certain vibe that can only be explained as ARAPACIS. Critics can say what they will but Shelsey - through the CD may not have the steadiest voice - regardless has an amazing and strong voice that seized me for a moment. [Rina Dubosarski]

http://www.spacejunkies.net

 

AraPacis interview - Space Junkies Magazine August 2006

Peter Cooper [Peter]: What is the scene like in your native Canada?
Gabriel Boudreault [Gab]:
People here in Canada have a long love story with hard rock and metal music. Headbangers in the 80s are still headbangers in the 2000s. Nobody says, "I used to love AC/DC." Most people I know who were listening to Led Zeppelin or Black Sabbath when they were teenagers are still listening to them in their 40s!
Jerry Fielden [Jerry]: For our style of music, the local scene is quite interesting with bands like Howling Syn and Odyssey, we have of course, a lot of classic metal bands like Anvil and Frank Manno and they have been an inspiration. There's also the French side with bands like Offenbach, Aut'Chose and Morse Code that have influenced me some.
Shelsey Jarvis [Shelsey]: The scene in general is so chill, everyone is kind of like: "Live and let live." If you're talking about the music scene, it's definitely getting quite a reputation. 30 or 40 years ago there were practically no Canadian musicians that were known internationally. I'm just happy we Canucks are making a name for ourselves.
Ulysse Bergeron [Ulysse]: Well, luckily, Canada (especially Montreal) has a really strong rock/metal scene. Plus, lately many bands have emerged from Montreal so I think that has caught the labels attention. I believe that all factors are currently here for a band to get exposure and interesting opportunities. We'll see [crossed fingers].

Peter: How long has the band been together, and how did it all come to be?
Gab:
The band itself has existed since 2003. I've been with the band since the spring of 2005. At that time, I was looking for a band, as I hadn't played music with an official band for a while. I searched on the Internet for something I would enjoy to play and I found this interesting band called AraPacis who were looking for a bass player. I used to play guitar before, but I played bass too sometimes, so I decided to try, and here I am!
Jerry: The band was put together in January 2003 by Pierre Ryan and myself; we had played together in the 70s Montreal band Landslide. Gab joined in April 2005, Shelsey in September 2005 and Ulysse in June 2006!
Shelsey: Jerry's the best one to field this question.
Jerry: Shelsey joined us through a MySpace ad.
Ulysse: For my part, I joined these guys at the beginning of June 2006 through the Montreal Music Scene musicians' chat room. I listened to their music (I liked it of course), they tried me out and the vibes were positive and the music was tight so what else could we ask for?

Peter: What is the best thing about being a musician, if you had to say only one thing?
Gab:
The euphoria of being on stage! [Smiles]
Jerry: It is the feeling of sharing emotions with your audience via the music.
Shelsey: When a song you wrote, or had a part in writing, is played live for the first time and it goes over well. It's like, okay so I must not completely suck, there's a start! But playing live is great anyway.
Ulysse: I would say connecting with the other musicians and the fans of course.

Peter: How does the writing process come about for the band?
Gab:
Usually, Jerry comes up with an idea or a whole song, and then we put our touch on it to "AraPacis" it. We try to include everyone's ideas. Jerry writes most of the lyrics, as he's a pretty good writer. Shelsey has written some great songs too, and these days I'm working on some stuff as well.
Jerry: Usually, I will write a piece of music in a few hours and then put lyrics on it the following day. It's when I'm in the mood to write a certain type of song that it clicks and I just do it. For instance, one day I felt like writing a doom metal type of song and "Drop of Hope" came out. Another time, our producer told me, "Hey can you write something faster?" and "So Many Leapers" came out. And then one day, I went to the Godin Guitar offices (I endorse them) and I was trying one out with an acoustic sound mixed with synth and created the beginning riff of "Theocracy," a new song with which we usually finish our shows. Now this is when I write alone. I often write with Shelsey and our two styles seem to mesh quite well, as in "Soldier of Fun" for which she did the main piano riff and part of the bridge and I did the rest, and she also helped me with the lyrics. We are also working on other songs together in which she has written all or some of the lyrics and/or the music, and these are meshing just nicely into the band feel. She writes great songs on her own too! Gab as well has written songs on his own and with the band and we hope to include some of these in our set. As for Ulysse, he always seems to come up with these incredible ideas that just raise the songs' musicality to another level. And finally, one of our e-teamers, Bonnie McKannon, came up with some amazing lyrics so I just had to put it into music, the song is called "The Green Fairy."
Shelsey: It's different for every song, we have 3 writers in the band! Usually one of us comes to practice with the main idea for the song (and sometimes the lyrics), we all practice it and add our own touches, and if the lyrics haven't been done yet, someone will do those. I personally like writing lyrics first though.
Ulysse: I believe Jerry writes most of the riffs and lyrics. Gab and Shelsey add their grain of salt (riffs and lyrics sometimes) and I try (or will try) to come up with tight transitions and technical/progressive bridges
.

Peter: Which are some of your favorite chord structures?
Gab:
I'll let Jerry answer this one!
Jerry: I love using tri-tones as they are kind of the foundation of a certain style of metal as exemplified by Black Sabbath and other bands of the genre - see "So Many Leapers" and "Tinme's Has-Been" for examples of this. Also Robin Trowerish's slow dreamy structures are nice, like in "Reflections," where I also use a nice pentatonic groove in E major. I like using open-string chords too, in the style of Alex Lifeson of Rush. And power chords (not only root and dominant, but also inversion with dominant and octave as well, like Deep Purple, for instance in "Tale Spin") are quite abundant in our work. I have been playing around with modes a bit and harmonic minor scales for leads too...
Shelsey: I don't really have a favorite, although, I think what Jerry did in one of our new songs, "Green Fairy" is pretty awesome, you almost think you're high on something when you listen to that song.
Ulysse: I like fluctuations in music (crescendo, decrescendo) a lot as well as harmonics.

Peter: If the band were an animal, which would it be and why?
Gab:
Our music is a continual opposition between highs and lows, black and white, war and peace, fury and quietness - Fast and heavy: so probably a bear.
Jerry: To me it would be a bonobo. They are incredibly social, like to learn and also use sex to communicate. That sounds like this band! [laughs]
Shelsey: Hum... A lizard. Lizards are chameleons, and I think we are too. We have so many different influences. The bands we've played with have varied so much, and yet it never seems like an odd match with any of them. We're pretty versatile, and I think that's only going to help us in the long run.
Ulysse: A pack of wolves, because we have band members of different ages and sex (mix of experience and energy) and also because it's much easier to survive as a band rather than as an individual.

Peter: If you could go back in time and witness three events, which would they be?
Gab:
One - The discovery of America (I mean the continent) and the first contacts with the natives. Two - The construction of the pyramids. Three - And why not: some dinosaurs!
Jerry: One - I would like to go and visit Ancient Rome (the name AraPacis is kind of a giveaway for my love of Ancient Roman History), I couldn't give you a specific time frame as there are too many interesting events, but probably under the Julio-Claudians, Flavians or the 5 "Good Emperors," which would situate us between 27 BCE to about 180 CE. Two - I would be interested in visiting the French court under the early Bourbons (Henry IV, Louis XIII or Louis XIV). There were troubled times and interesting intrigues under all of these. Henry IV had to face a hostile Catholic France as a Protestant, Louis XIII reigned with the help of the famous Cardinal Richelieu, and of course Louis XIV dazzled the world with his palace at Versailles, which I have been fortunate enough to visit. So here we are talking about from 1598 to 1715 or so. Three - The whole rise and fall of the dictators in the 1920s-40s. This period of history is actually quite repugnant to me but also fascinates me for some reason as I try to struggle to gain an understanding of the causes that lead to this "devolution" in the politics of the times. Most of these were economic of course, because of the severe penalties imposed on Germany by the Allies in 1919 after the Treaty of Versailles that ended the First World War. However, they were not the sole reasons. There were also the ideologies at play here, such as communism, fascism and all the various nationalisms based on the hatred of the other (racism). I read and studied a lot to understand the rationale behind this period.
Shelsey: I would go back to April 15th, 2006 because that was when the Taste of Chaos tour came to Montreal and we had a show so I couldn't go. Then I'd go to Europe because I just want to go there, and then I'd go back to the beginning of time and get the whole issue of creation straightened out for good.
Ulysse: Discovery of Canada by Jacques Cartier (see the huge trees and abundance of animals). The Abraham Plains battle in Quebec City in 1759 (September 13th). The first step of mankind on the moon (by Neil Armstrong)
Jerry: Sorry to interrupt - I saw that! [landing on the moon]. That was so awesome and I stayed up all night to watch it on TV! [grins]

Peter: Say what you want at this point and give out some links that you might think your fans would appreciate.
Gab:
Here is a place to help you with guitar chords:
http://www.all-guitar-chords.com. I love animals so here is the web site for the Canadian S.P.C.A. (The Society for the Prevention of Cruelty to Animals): http://www.spca.com. Here is a link to the Saguenay region where Ulysse and I were born: http://www.virtualmuseum.ca/Exhibitions/Fjord/english/home_e.html
Jerry: I am very proud of my band mates and appreciate our fans so much - a lot of them have been with us since the early days and have seen all the changes (changes that were sometimes difficult) and I'd like to thank them very much, also our e-team that has done such a great job in communicating our message to their parts of the world and our recording team! Sites I really appreciate are Femme Metal Board at
http://z14.invisionfree.com/Femme_Metal_Board/index.php also the Ultimate Edgar Winter Forum at http://www.winternet.us/cgi-bin/snitz/default.asp and the Vicious Rumors forum at http://www.nocturnalhorde.com/forums/viewforum.php?f=73 and of course, MySpace [http://www.myspace.com], where a lot of our fellow bands and friends have a page. And last but not least, greets to Anvil and Ian Gillan!
Shelsey: Our fans have been so great, and I guess music-wise, the best place I can suggest is MySpace, but you all knew that already! We also have a Femme Metal board, which is fun if you like female fronted metal. Support your local bands, chances are they need you!
Ulysse:
http://www.arapacis.com

http://www.spacejunkies.net

 

Reviewed on www.metalmaidens.com
By: Toine van Poorten
Rating: 9/10

ARAPACIS-
So Many Leapers
FX Metal


ARAPACIS, what great name for a band! Hailing from Canada, and
undoubtely influenced by the old arena rockers and the gothic metal
scene of today. If you combine the two music styles, you'll come
close to the sound on "So Many Leapers". Shelsey's crystal clear
vocals match pretty well to the long instrumental songs of the band.
What would RUSH sound like, when AVRIL LAVIGNE became their singer?
This band might give you the answer. A song like "Histories" for
example captures the sound of ARAPACIS in six minutes. Sometimes they
even sound LOUDER, like in "Tale Spin". And it's there, when my head
starts banging. What a mean scream and what a filthy guitar solo! Yes
baby, this is the real deal. Opener and title track "So Many Leapers"
will definitely make many rockers go wild. It may sound a bit like
BLACK SABBATH's "Symptom Of The Universe" sometimes. Do you need any
more proof that this band has got a lot of potential? Listen dear
friends, if you have supported a band like ANVIL, you just can't miss
in my book. Also wanna hear a good ballad maybe? Just wait until
you've heard "Reflections", and hear this lady pull the notes right
from her very soul. The jammy part at the end of this song is also
quite interesting. Although it might not exactly fit to a ballad type
of thing, it sounds really nice. Feel the groove in "Time's Has-Been",
which is again beefed up with a great guitar solo. This band simply
needs a special introduction on our website, because I really like
what I hear. In every song you feel the excitement that has been
written. Just tune in to "Fast Fingers", where singer Shelsey Jarvis
surprises me with some magic keyboard playing. I'd expected some
smoking guitarwork here, but don't be afraid, the fast axework is in
the same song too. They told me guitarist Jerry Fielden burned his
fingers, while playing this fast instrumental extraordinaire. Can
somebody please tame this guy, or cool him down a little? Not in
these four and a half minutes, I guess. I wonder how the band will
sound in a live setting? I didn't mention the rhythm section yet. It
consists of Ray Tessier on drums, who obviously brings in the
influences of some newer music styles, when I look at his influences
on the internet. But his drumming blends very well to the second part
of the rhythm tandem, Gab Boudreault on bass guitar. Like a good
rhythm section, they seem to be the invisible part of the band, but
they surely cannot be missed in the great sound of this wonderful
band. The last song is called "Soldier Of Fun", which is the longest
piece of art here. Again with a long instrumental part, it simply
beats the eight minutes border. Chapeaux! Is there nothing negative
to mention here? Nope, this is a killer release. We want more! Check
out
http://www.arapacis.com for more information about the band and
keep an eye out for an interview with the band soon on metalmaidens.com.
 

Metal Coven Review August 2006
 
Arapacis
"So Many Leapers"
FX Records - 2005
Reviewed by:  Chris Pratl
Date Reviewed - 08/06/06
 
The beauty of writing reviews for this lone writer is that I can experience bands I'm not familiar with and get a feel for something new. I pride myself on being in the know as much as humanly possible, but there's so much out there I have yet to hear and see. Arapacis is one of the pack that's new to me. I'm not at all familiar with them but I soon will be so we're off….

The titled of the CD is "So Many Leapers" which is unique and odd, but not a bad thing by any means. I usually don't like to look at lyrics beforehand so I can get the feel of the music as it wraps around the words – call it goofy, but it's my own process.

The opener is the title track, "So Many Leapers" and the first thing I notice is the tinny production of the guitar. Still, for a demo it's understandable. So far the music is not really grabbing me like I'd like it to. It seems to flail between gothic and a watered-down Rush sound. The vocal melody of singer Shelsey Jarvis seems more "sing-songy", almost rhyming for rhyme's sake. In this regard the vocal melody doesn't seem sincere, but rather forced.

"Drop of Hope" seems to flow a lot better so far. The vocals ease through the ears and over the chords nicely, and this is a pretty damn good track. I hear a lot of Canada's own Lee Aaron in her styling here. Jerry Fielden is handling the guitars nicely, even with the thin production. It's nothing amazing or brilliant, but it's entertaining. Gab Boudreault is the bassist with the best production on the demo and the drums are done by Ray Tessier decently. This is no "monster" track, but it's solid rock with a slight pop influence.

Next we have the song titled "Histories" and I like it's heavy, bluesy feel. Right away, however, I wouldn't have repeated the opening chorus twice – it just seems to take away from its powerful message. Again, I am having a hard time getting past this guitar production, but I like the tone of this song. Also, being a bassist I appreciate the bass in the forefront, but the guitar is now almost non-existent buried in the mix until the distortion kicks in. So far the music is decent, but it's going on too long in its "jam" and making me forget about the subject of the song; just a tad of overkill in that regard. Not a bad track, but not great either.

"Tale Spin" is next. The lyrics seem too weak for me, and it pains me to say something like that because I'm a writer of lyrics myself. I've had people tell me a song I've written is "amateurish and lacking", and I somehow see that here as well. "A pathetic slave of many, a Homer wannabe--/An adjective is amiss, quickly must be found--/A publisher awaits for this glory hound--/And our spinner is searching hard for the real juicy story—" The one real compliment I can offer to this song is Jarvis' vocal melody singing the title reminds me a little of Rainbow. This song could have been a bit stronger with some polish.

"Reflections" has a pretty strong vocal melody going for it, but damnit, the guitar is too buried in the mix to sound full to me. This track would be really good if the production weren't so tinny and bass-heavy. Still, lyrically it's decently solid and shows Jarvis' vocals nicely, though I'd love to hear her with some better production. I'm liking what I'm hearing from Gab's bass, but it's a bit much at times. Still, he's a talented bassist! Okay, no more about the production from here out…. Track six is titled "Time's Has Been" and has a great dark feel to it right off the bat. However, the lyrics simply killed it for me. The writing is not at all what I'd consider complimentary to such strong music for this track. "Acres, land he had--/Had his money set--/Lost all on a bet--/It sure drove him mad--/Coma sleep--/Not a peep--/Eyes shut clean--/Time's has-been-" I hate to say something like this, but these lyrics are not at all what a prog/rock band should be writing. They are very thin and uninspired to my ears. Still, Jarvis' vocals are stellar and save the track from complete ruin.

"Fast Fingers" is the instrumental that screams Dream Theater and, while not nearly as deep as DT, it's still pretty heavy and well-done. When I think of jamming in the old-school sense of the word I think of something like this – it sounds fun and loose. I really like this! It doesn't claim to go anywhere and it really doesn't need to.

"Soldier of Fun" is the ending track and it starts out okay with a bit of a "hauntingly beautiful" intro. Jarvis' vocals just kicked in and they're pretty good for this slower tune! I'm not sure who to compare her to, but she sort has that Lee Aaron feel to her again, which I dig. It keeps a consistent vibe of melancholy throughout that doesn't drift into sappiness at all. Jarvis' vocals are really complimentary to the lyrics: "Out of Silence, black as night--/I remove myself from the fight--/outward joy in sadness I must flee--/leave me lonely I shall be—" Pretty solid end to a disc wrought with imperfections.

I have to say that I was not really all that impressed with this CD, though I definitely hear some great bass and vocals and quite competent drums and guitar. I think Shelsey Jarvis can carry a song and a band quite nicely if given the right gel with which to work. That's not to say this group of guys isn't her niche; it's merely pointing out that, with some better production and structure, not to mention some real tweaking of the lyrical process (which simply does little to impress me to want t
o read more) this band could do something good. Not great, but good. 5/10
 

 

Underground Empire Review August 2006

ARAPACIS
So Many Leapers
(8-Song-CD: $ 16,88)

Aus dem französischsprechenden Teil Kanadas kommen bereits einige recht interessante Formationen wie FORGOTTEN TALES oder MAESTRO, die mit Damengesang aufwarten und diesbezüglich auch zu gefallen wissen. Das Quartett ARAPACIS sollte man diesbezüglich ebenfalls nicht außer Acht lassen. Die Truppe besteht aus einem erfahrenen Gitarristen namens Jerry Fielden, den wesentlich jüngeren Musikern Gabriel Boudreault am Baß und Shelsey Jarvis am Mikro, sowie einem altersmäßig zumindest optisch wohl irgendwo der Mitte der bereits genannten Musiker einzuordnenden Drummer namens Ulysse Bergeron. Ebenso unterschiedlich wie das Alter der Musiker scheinen auch deren Einflüsse zu sein, denn ARAPACIS wissen mit acht kaum einzuordnenden Songs zu überzeugen, die teilweise ganz gut abrocken, dann wieder eher gefühlsbetont in Richtung Seele abzielen oder aber auch desöfteren einen dezenten Prog-Touch aufweisen. Durch die recht kräftige und ausdruckstarke Stimme von Fräulein Shelsey vermögen aber die Songs allesamt zu überzeugen, was man auch von der Musik von »So Many Leapers«, nicht jedoch vom Sound nicht sagen kann, denn dieser kommt mitunter nicht differenziert genug aus den Boxen. Ansonsten darf man schon heute auf zukünftige Werke dieser abwechslungsreich und munter aufspielenden Truppe gespannt sein.
http://www.arapacis.com/

info@arapacis.com

abwechslungsreich und munter

Walter Scheurer

ARAPACIS im Überblick:
ARAPACIS - So Many Leapers (Do It Yourself)
© 1989 - 2006 Underground Empire

http://www.underground-empire.com/review.php?type=20&idx=5717

Metallian.com Review, Aug. 2006

ARAPACIS – SO MANY LEAPERS
This disc is not the usual fare. The amateurish demo cover might hint at something childish, but the band’s unique name and puzzling title are bearers of eight tracks of rock, hard rock and pop music. Various reports on the Internet indicated the band might be gothic or, at least, hint at that style, but there is little here that justifies the tag. Instead, Jerry Fielden and crew go after rock fans with a taste for harder than average sounds. The band is good, yet it is the guitar leads that stand out. The vocals of Shelsey Jarvis are inconsistent. They can sound weak or they can sound strong. It might be that she is inexperienced and is just finding herself. It sounds as if she needs more confidence. Ironically, for a metal girl, it is the slow song Histories and its follow-up Tale Spin that best bring out her voice. Tale Spin is a great kick ass song too. There aren’t many bands like this around nowadays – the songs were written between 1976 and 2005 - so give it a chance. E-mail jerry@arapacis.com or visit www.arapacis.com. - Anna Tergel

http://www.metallian.com/news0806.htm#demoreviews

 

Interview with Jerry From Full Frontal Recordings, May 2006
  Canada is home to some great bands and I´m glad I bumped in to Arapacis. After checking out their album I sent Jerry some questions and this is what he had to say:

FFRUK: First off can you introduce Arapacis to the world?


Jerry: First, thank you Steve for having us! AraPacis started when after having done 3 solo albums, playing all the instruments and singing and everything on these, I got kind of lonely and decided I wanted to play with some real live people :) So I called up a couple of friends whom I used to play with back in the 70s and we decided to give it a go! Now, these guys have been gone for a while but the band has thrived nicely, I would say.

FFRUK: Where did you get the band name from as it´s very unusual?

Jerry: Well my major in university was Roman History (my minor was Music Technology) and there was an important monument in Rome called the Ara Pacis (Altar of Peace) - a beautiful piece of architecture, featuring wonderful bas relief scenes of an Imperial procession, that was built around 9 BC by the emperor Augustus and that still stands to this day in Rome. I thought there were would be a connection there for me so I contracted the name in one word but kept the capitals. I also thought that there would be no other bands in the world that would ever have that name - well it turns out there was one in Germany in the 70s, but theirs was in two words ... so OK for us :)

FFRUK: Jerry you´re actually older than I am so how did you find the other musicians in the band as they´re much younger?

Jerry: Well it was a ongoing kind of thing - in early 2005, I was playing with people my age but I ended up not very happy with the direction the band was heading in and there was a lot of musical differences so I decided to find new blood and it all came together over the course of the year. I found Gab first in March or so (I enjoyed his Sabbath roots, I´m really into that kind of thing myself), then Ray in May I believe - he walked in the auditions after we had tried a couple of drummers and we were going to offer the position to someone else - anyway we looked at this 18 year old kid and said to ourselves well, OK, let him try... well he started warming up and we all looked at each other and went - holy shit! The guy just was so excellent - and quite wild too - so we just had to take him! Then after going through a couple of singers who didn´t stick, I found Shelsey through an ad on MySpace. This was in September, a few days before we were going to do a charity concert for handicapped youths. Well she just came in to audition and knocked me out! She learned the lyrics very quickly and knew them all in time for the show. And she just keeps getting better and better and has also contributed some nice piano and synth, as well as becoming a real leader onstage!

FFRUK: It´s fair to say you have a pretty original sound so did you plan to write this style of music or was it something you guys came up when you first got together?

Jerry: Well a lot of the early 70s part of our sound comes from me and some of it from Gab as well. I lived through the period and had my style pretty well down even then, but now I also want to expand into the lower heavier 2000s guitar sound, so I am using an octave below on my Godin guitar through a Roland guitar synth for that, and Ray has really turned me on to a lot of interesting guitar techniques by having me listen to all sorts of new stuff like Avenged Sevenfold, for instance. Who knows, I might eventually pick up a seven string too! And I´ve discovered myself quite a taste for Female Fronted Gothic Metal, especially bands like Lacuna Coil and Leaves´ Eyes. Mind you, I´ve been playing with female singers even since the 70s, when I had discovered Heart, so this is just a natural development for me.

FFRUK: So how has ´So Many Leapers´ gone down with fans and the press? Much positive response?

Jerry: All the responses have been quite positive, both from the fans and from the press as well. We are actually still waiting for the jury to come out on this because we just sent the album out a couple of weeks ago and not everybody has received it yet but yes, all in all, quite a good response, especially as pertains to the overall sound of the band, Shelsey´s voice and the lyrics.

FFRUK: Talking of the album how did you feel about the finished product?

Jerry: We were all very proud of what we had accomplished in so short of a time (we recorded the 8 basic tracks in one day, and did overdubs and mixing in four). Personally, I really dig it! :)

FFRUK: There´s plenty of good music in Canada at the moment so do you find it hard to gain attention to your band?

Jerry: I think having a good scene in Canada is important as we get to play more gigs with other bands than on our own and we can only reinforce each other that way. Mind you, there are not that many female-fronted straight metal or hard rock acts in Montreal, although the scene is growing and the bands that are there are quite good so we are quite comfortable sharing the niche there right now.

FFRUK: Are there any plans to tour Europe on the strength of what you´ve done so far?

Jerry: I would say we need to play more gigs in Canada and then our next objective would certainly be an European tour as we feel a natural attraction to our style of music there. We would love to play festivals like Pinkpop but we also definitely enjoy playing the intimate places. It´s just a question of time but I do see ourselves heading your way!

FFRUK: So what plans have you for the rest of 2006?

Jerry: We have a big festival, MQ Musicfest, near Toronto in July, and then some collective shows with some more FFM acts. We might also be playing some gigs with a very well-known Canadian metal band, but I can´t divulge any details yet as nothing has been confirmed. We are also already working on new songs that may or may not be on our second album. Actually you can hear (and see) a few of these new ones on our Hard Rock Cafe show video on our official site.

FFRUK: Anything you´d like to add?

Jerry: To me, this whole experience has been totally exhilarating - I have been gigging since 1971, and at no time have I felt better vibes on stage (or recording) than with my present bandmates. I´d especially like to take the opportunity to thank our fans, some of them who have watched this band develop for several years and stuck with us no matter what, and also our e-team and our production team for some really great work. And hopefully we will be seeing you all in Europe very soon! Thanks again!

Thanks to Jerry for getting this interview back to me so quick. Check out this band if Rock is your poison. You´ll really enjoy Arapacis - I did and I´ve been playing their album ever since!

http://www.fullfrontalrecordings.co.uk/reviewlink.php?reviewid=748

Nouvel album
 

Québec Pop

Mai 2006

Nouvel album
AraPacis - So Many Leapers


Le groupe de rock AraPacis lançait récemment son premier album en anglais. Depuis près d'un an maintenant, je suis de près les destinées de ces musiciens regroupés autour du guitariste Jerry Fielden et qui sont Shelsey Jarvis, Gab Boudreault et Ray Tessier.

Pour la production de l'album, le groupe a pu compter sur l'aide de plusieurs confrères dont Mauricio Campo (ingénieur studio), Elaine Huot (infographie), Julie Michaud (photographie), Isabella Girard (pochette avant) ainsi que la productrice Denise Gorman.

Un excellent album pour ceux qui veulent découvrir ce que le Québec peut faire en matière de rock solide et progressif. Je ne suis peut-être pas objectif puisque je connais déjà pas mal le matériel du groupe, mais je dirais que tout l'album représente bien ce dont ils sont capables et chaque chanson est une belle réussite en soi. Sur ce, je recommande l'écoute de la pièce titre, So Many Leapers, ainsi que Histories (plus douce), Tale Spin (une guitare assassine) et Reflections (où chaque instrument a l'occasion de démontrer ses capacités).

La voix est puissante, les musiques solides, les textes intéressants et chacun des musiciens excelle à son instrument. A découvrir pour les amateurs de rock !

http://www.quebecpop.com/MenuPrincipal.htm


 

Full Frontal Recordings

May 2006

  ARAPACIS - So Many Leaders:

I really enjoyed listening to this album even though there were only eight tracks on it. Highly influenced by early Metal bands such as AD/DC and the Goth Influenced Metal of today see´s this Canadian band doing something really cool. Shelsey Jarvis on vocals really does need to be heard - Her voice just grabs you. Musically Gab, Jerry, Ray kick ass and certainly add to the quality of this album. Going on the basis of this album ´Arapacis´ are going to be a band you will certainly hear more of in the future. Just have a listen to the title track ´So Many Leapers´ and ´Reflections´ - These tracks are quality. What helps is they actually write interesting lyrics instead of wrting ´blood gurgling´ rubbish that is usually associated with this genre of music. Production wise the engineer does a really good job and brings the best out in them. Yeah check them out! (FX Metal) 9/10

http://www.fullfrontalrecordings.co.uk/reviewlink.php?reviewid=725

Québec Pop

Reportage - Samedi le 29 avril
Lancement spectacle à L'Authentique
Arapacis - So many leapers


 

Shelsey Jarvis (voix, claviers)
Jerry Fielden (guitares)

Profitant de ce dernier samedi du mois d'avril, la formation Arapacis lançait son premier CD à l'Authentique de la rue Ste-Catherine (coin Sanguinet) à Montréal. Intitulé So many leapers, l'album regroupe 8 titres qui avaient fait la joie des supporteurs d'Arapacis en spectacle. Donnant dans le rock lourd rappelant les années 70 avec des groupes comme Led Zeppelin et surtout Deep Purple, on retrouve aussi une tendance métal progressif gothique.

En donnant le devant de la scène à une excellente chanteuse de la trempe de Shelsey Jarvis, le groupe peut se comparer à des icônes du rock actuel comme Evanescence par exemple. Cela fait déjà presqu'un an que je connais et que je suis les péripéties du groupe et il est grand temps qu'on puisse apporter du Arapacis à la maison. L'album est disponible en ligne et chez Archambeault musique. Pour trouver les liens appropriés, vous n'avez qu'à suivre les pistes sur le site Internet du groupe, au
www.arapacis.com.

Ce soir donc, j'ai assisté au deuxième set de la soirée et j'ai pu me délecter des chansons Time's has been, Tale spin, Roadways, Fast fingers, etc, pour terminer avec une reprise pas piquée des vers de Cars de Gary Numan. Plus tard cette semaine, je reviendrai avec une description plus complète du nouvel album de la formation. Merci à Jerry et sa gang, ce fût une excellente soirée.

 
Gabriel Boudreault (basse)   Ray Tessier (batterie)
 
Shelsey s'est bien insérée dans la formation et sait se faire remarquer


Une vue d'ensemble du groupe

http://www.quebecpop.com/MenuPrincipal.htm

"WOW!!! I really like what I hear!!!"

Jessica L. George 
LOCALS ONLY RADIO
WGMU - George Mason University Radio 
jgeorge4@gmu.edu
www.myspace.com/localsonlyradio

March 2, 2006

Longueuil Extra 7 Sept. 2005 (PDF format)

Click to view Front Page / Voir page frontispice

Click to view / voir article, page 3

 

Samedi le 27 août 2005
Arapacis et Four Stories à Longueuil

Reportage de Michel Parent - Québec Pop

"... Arapacis, le groupe du guitariste Jerry Fielden que j'ai découvert le mois dernier au Club One de Montréal. "
 


Arapacis
 
Jerry Fielden

C'est la deuxième fois en quelques mois que j'ai l'occasion d'entendre le groupe formé d'Elaine Huot (voix principale, piano), de Jerry Fielden (guitare, voix), de Ray Tessier (batterie) et de Gabriel Boudreault (basse, voix).

Jerry décrit la musique du groupe comme du hard rock progressif prenant sa source dans les années 70 mais bien ancré dans les années 2000. Les influences du groupe se retrouvent dans des sources comme Deep Purple, Black Sabbath, Heart, Rush, etc. Elaine possède une voix relativement haute et puissante qui me fait penser à Sonja Kristina du défunt groupe Curved Air.

Les pièces présentées ce soir étaient: Tale spin, Time's has-been, Drop of hope, Thunder lizard (avec un magnifique solo de batterie de la part de Ray), Reflections, Lessons of the past, Fast fingers, Histories, Roadways, Hidden et So many leapers.

Entre deux chansons, Jerry y est allé d'un solo de guitare pas piqué des vers, reprenant plusieurs riffs classiques dont Smoke on the water de Deep Purple, l'un de ses groupes fétiches. Ils seront de retour sur scène début septembre au Café Chaos. Plus d'infos à
www.arapacis.com

 
 
Gabriel Boudreault   Ray Tessier
 

Elaine Huot

http://www.quebecpop.com/Reportages/Arapacis/Reportage.htm

Show au Club One, Montréal le 22 juillet 2005 - Reportage de Michel Parent, (c) Québec Pop - 23 juillet 2005

Reportage - Vendredi le 22 juillet 2005
Amigos por Siempre, SOMA et Arapacis
Au Club One de Montréal

 
Invité par le guitariste Jerry Fielden, je me suis rendu pour la première fois au Club One de la rue Crescent pour assister au spectacle des trois groupes mentionnés plus haut. Trois découvertes puisque je n'avais entendu aucun des ensembles jusqu'à maintenant...
 


Puisque certains musiciens du groupe Arapacis l'accompagnent sur scène, l'excellente Miranie Morissette est venue leur rendre visite le temps de faire une de ses chansons intitulée Ne m'attends pas. Déjà passablement rock sur disque, la chanson prend tout son envol sur scène avec l'apport notamment de Jerry Fielden à la guitare et de Ray Tessier à la batterie, les deux membres d'Arapacis qui font aussi partie du band de Miranie.

Cela faisait un petit bout que je n'avais pas vu Miranie, après sa prestation aux Francofolies de Montréal 2004 et le lancement de son premier album l'automne dernier. Depuis ce temps, elle a travaillé fort à monter son band et préparer la série de spectacles qu'elle va donner à l'automne. Elle a aussi participé au Festival d'été de Québec et tourné en première partie du rocker Jonas.

Selon mes sources, l'automne sera chaud et Miranie a plein de projets en tête avec son nouveau band. Ce sera à suivre !


 
 

Elaine et Jerry (Arapacis)
 
C'est donc le groupe Arapacis qui terminait la soirée après le passage remarqué de la fort talentueuse (et jolie) Miranie. Le groupe est formé de la non moins jolie Elaine Huot (voix principale, piano), de Jerry Fielden (guitare, voix, synthés, mandoline), de Ray Tessier (batterie) et finalement de Gabriel Boudreault (basse, voix). Attiré sur place par la promesse d'un son rock hard progressif prenant sa source dans les années 70 mais avec une teinte bien 2000, je n'ai pas été déçu.

Jerry est un vétéran de plusieurs années dans le métier, amateur de King Crimson tout autant que de Deep Purple, il a joué avec plusieurs bands de la région au fil des années et s'est forgé une technique de guitare à l'avenant. Le bassiste (Gab) et le batteur (Ray) de donnent pas non plus leur place et assurent une section rythmique particulièrement solide.

La chanteuse (Elaine) s'est jointe au groupe il y a seulement deux semaines et bien qu'elle soit encore en train d'apprendre le matériel du groupe, on a l'impression que cela fait beaucoup plus longtemps. Une belle voix pour une fort charmante demoiselle qui me rappelle les chanteuses de groupes rock progressif comme Annie Haslam (Renaissance) et Sonja Kristina (Curved Air). Le matériel d'Arapacis est plus lourd et moins progressif que le matériel des groupes mentionnés mais la voix d'Elaine plane au dessus de la musique comme celle de ses aînées.

Parmi les pièces interprétées par le groupe (merci Jerry pour la liste), il y a eu: Tale Spin, Time's Has-Been, Drop of Hope, Thunder Lizard (avec un solo de batterie bien salé), Reflections, By the Light of Old Stonehenge (cette fois avec un solo de guitare), Lessons of the Past, Histories, Roadways et So Many Leapers. En rappel, le groupe s'est lancé dans Who Knows, une reprise de Jimi Hendrix. Pour rester dans le mood Hendrix, le Québec a compté un groupe qui faisait beaucoup dans le même style , Mahogany Rush. J'ai appris que l'ex batteur du groupe, Jim Ayoub, était sur place hier et qu'il a trouvé le set d'Arapacis "plutôt hot", un beau compliment pour Jerry et sa bande.


Tous les groupes de ce soir ont du bon matériel à proposer aux amateurs de rock, j'ai passé. un excellent moment en leur compagnie et je me promets bien de les revoir sur scène très bientôt !
http://www.quebecpop.com/Reportages/Arapacis/Reportage.htm